查尔斯·布朗·韦兰德的小说中,关于的美国人文学作品或变迁和《纳撒尼尔·霍索恩的七个句子的小说

Akram Si. Habeeb
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摘要

本文探讨了两位19世纪的美国作家查尔斯·布朗和纳撒尼尔·霍桑如何试图借用欧洲哥特传统,并创造出美国特有的恐怖元素。本研究考察了跨大西洋哥特文学的特点,并试图从背景、人物和风格等方面界定美国哥特文学的传统。为了证明这一点,本文试图展示查尔斯·布罗克登·布朗的《维兰或变形》和纳撒尼尔·霍桑的《七个山墙之家》是如何试图提出美国经验特有的哥特式传统的。这项研究表明,这两位小说家是如何以一种与欧洲哥特式传统不同的方式创造出一种恐怖、神秘和不确定性的感觉的。这两位美国作家都热衷于发展哥特传统,以适应美国经验的特殊性以及保持文学独立的民族主义愿望,这与18世纪最后25年的政治独立是平行的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
American Gothicism in Charles Brockden Brown's Wieland or Transformation and Nathaniel Hawthorne's the House of the Seven Gables = الأدب الأمريكي القوطي في رواية تشارلز بروكدن براون ويلاند أو التحول ورواية ناثنيال هوثورن المنزل ذو الجملونات السبع
This paper looks into the ways two Nineteen century American Writers, Charles Brockden Brown and Nathanial Hawthorne tried to appropriate the European gothic traditions and come up with new elements of horror specific to the American experience. The study surveys the characteristics of transatlantic gothic, and then, tries to demarcate American gothic traditions in terms of settings, characters, and style. [For demonstration, the paper attempts to show how both Charles Brockden Brown in Wieland or Transformation and Nathaniel Hawthorne in The House of the Seven Gables tried to come up with gothic traditions peculiar to the American experience. The study shows how the two novelists created a sense of horror, mystery, and uncertainty in a way that departs from the European gothic traditions. The two American writers were keen on developing gothic traditions that fit within the specificity of the American experience and the nationalistic aspirations of maintain literary independence parallel to the political independence in the last quarter of the Eighteen Century.
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