天主教和加尔文主义悲剧中的圣经暴力

M. Meere
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引用次数: 0

摘要

本章通过对该隐和亚伯、大卫和歌利亚故事的戏剧改编,分析了天主教和加尔文主义悲剧中的圣经暴力。托马斯·勒科的《该隐的悲剧》(1580年)模仿了16世纪早期的《米斯特姆斯的遗嘱》,并将该隐谋杀亚伯作为宗教战争高峰时期美德行为的反例,鼓励观众尽管信仰不同,但仍要和平对待他们的邻居。然后,本章考虑了加尔文主义悲剧约阿希姆·德·科伊格纳克(《歌利亚的毁灭》,约1551年)和路易斯·德·马苏斯(《大卫战士》,1563/1566年)如何将暴力作为一种积极的、解放的力量。大卫打败歌利亚反映了改革宗教会战胜罗马天主教会的希望。本章认为,Coignac和Des Masures将David的暴力行为描述为道德上的善行,然而他们的戏剧提出了神学、道德和认识论上的问题,即何时以及为什么杀戮是可以接受的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Biblical Violence in Catholic and Calvinist Tragedy
This chapter analyzes biblical violence in Catholic and Calvinist tragedy by examining dramatic adaptations of the stories of Cain and Abel and David and Goliath. Thomas Lecoq’s Tragédie de Cain (1580) imitates the early sixteenth-century Mistére du Viel Testament and uses Cain’s murder of Abel as a counterexample of virtuous behavior at the peak of the religious wars, encouraging spectators to behave peacefully toward their neighbors despite differing beliefs. The chapter then considers how the Calvinist tragedies by Joachim de Coignac (La Desconfiture de Goliath, c.1551) and Louis Des Masures (David combattant, 1563/1566) use violence as a positive, liberating force. David’s defeat of Goliath mirrors the Reformed Church’s hopeful victory against the Roman Catholic Church. This chapter argues that Coignac and Des Masures depict David’s violence as a morally good act, yet their plays raise theological, moral, and epistemological questions of when and why it is acceptable to kill.
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