{"title":"天主教和加尔文主义悲剧中的圣经暴力","authors":"M. Meere","doi":"10.1093/oso/9780192844132.003.0003","DOIUrl":null,"url":null,"abstract":"This chapter analyzes biblical violence in Catholic and Calvinist tragedy by examining dramatic adaptations of the stories of Cain and Abel and David and Goliath. Thomas Lecoq’s Tragédie de Cain (1580) imitates the early sixteenth-century Mistére du Viel Testament and uses Cain’s murder of Abel as a counterexample of virtuous behavior at the peak of the religious wars, encouraging spectators to behave peacefully toward their neighbors despite differing beliefs. The chapter then considers how the Calvinist tragedies by Joachim de Coignac (La Desconfiture de Goliath, c.1551) and Louis Des Masures (David combattant, 1563/1566) use violence as a positive, liberating force. David’s defeat of Goliath mirrors the Reformed Church’s hopeful victory against the Roman Catholic Church. This chapter argues that Coignac and Des Masures depict David’s violence as a morally good act, yet their plays raise theological, moral, and epistemological questions of when and why it is acceptable to kill.","PeriodicalId":319885,"journal":{"name":"Onstage Violence in Sixteenth-Century French Tragedy","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Biblical Violence in Catholic and Calvinist Tragedy\",\"authors\":\"M. Meere\",\"doi\":\"10.1093/oso/9780192844132.003.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter analyzes biblical violence in Catholic and Calvinist tragedy by examining dramatic adaptations of the stories of Cain and Abel and David and Goliath. Thomas Lecoq’s Tragédie de Cain (1580) imitates the early sixteenth-century Mistére du Viel Testament and uses Cain’s murder of Abel as a counterexample of virtuous behavior at the peak of the religious wars, encouraging spectators to behave peacefully toward their neighbors despite differing beliefs. The chapter then considers how the Calvinist tragedies by Joachim de Coignac (La Desconfiture de Goliath, c.1551) and Louis Des Masures (David combattant, 1563/1566) use violence as a positive, liberating force. David’s defeat of Goliath mirrors the Reformed Church’s hopeful victory against the Roman Catholic Church. This chapter argues that Coignac and Des Masures depict David’s violence as a morally good act, yet their plays raise theological, moral, and epistemological questions of when and why it is acceptable to kill.\",\"PeriodicalId\":319885,\"journal\":{\"name\":\"Onstage Violence in Sixteenth-Century French Tragedy\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-10-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Onstage Violence in Sixteenth-Century French Tragedy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780192844132.003.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Onstage Violence in Sixteenth-Century French Tragedy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780192844132.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Biblical Violence in Catholic and Calvinist Tragedy
This chapter analyzes biblical violence in Catholic and Calvinist tragedy by examining dramatic adaptations of the stories of Cain and Abel and David and Goliath. Thomas Lecoq’s Tragédie de Cain (1580) imitates the early sixteenth-century Mistére du Viel Testament and uses Cain’s murder of Abel as a counterexample of virtuous behavior at the peak of the religious wars, encouraging spectators to behave peacefully toward their neighbors despite differing beliefs. The chapter then considers how the Calvinist tragedies by Joachim de Coignac (La Desconfiture de Goliath, c.1551) and Louis Des Masures (David combattant, 1563/1566) use violence as a positive, liberating force. David’s defeat of Goliath mirrors the Reformed Church’s hopeful victory against the Roman Catholic Church. This chapter argues that Coignac and Des Masures depict David’s violence as a morally good act, yet their plays raise theological, moral, and epistemological questions of when and why it is acceptable to kill.