理解音乐瞬间

R. I. Godøy
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引用次数: 0

摘要

我们通常会将音乐视为连续的声音流和相关的身体运动,但我们也可能将音乐视为不连续事件的序列,或将其视为具有多模态声音和身体运动感觉的块串,这些块可称为“声音-运动对象”。本章的重点是这些声音运动对象是如何在被称为“音乐瞬间”的间歇时间点出现的,以及音乐瞬间是如何必要的,以便感知音乐中的显着特征,如音色,音高,质地,轮廓,以及整体风格和情感特征。音乐瞬间的出现也被理解为基于乐器、产生声音的身体运动和音乐感知的综合约束,这也表明理解音乐瞬间可能在音乐创作中有实际应用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Understanding Musical Instants
We may typically experience music as continuous streams of sound and associated body motion, yet we may also perceive music as sequences of more discontinuous events, or as strings of chunks with multimodal sensations of sound and body motion, chunks that can be called ‘sound-motion objects’. The focus in this chapter is on how such sound-motion objects emerge at intermittent points in time called ‘musical instants’, and how musical instants are necessary in order to perceive salient features in music such as of timbre, pitch, texture, contour, and overall stylistic and affective features. The emergence of musical instants is also understood as based on the combined constraints of musical instruments, sound-producing body motion, and music perception, also suggesting that understanding musical instants may have practical applications in making music.
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