《力旺2006》中一个受创伤母亲的故事

Badri Prasad Pokharel
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引用次数: 0

摘要

尼泊尔一直被认为是一片和平之地。但是,由于各种因素,这个国家在不同地区目睹了许多方面的暴力。叛军和国家安全部队之间长达十年的冲突摧毁了该国的经济、政治、社会和文化话语,这已成为为读者和作家创造新体裁的不可或缺的一部分。这种记忆的过去以及其他历史细节,作为一个综合的焦点,诱导了创造性的思维,产生了逼真的情况,即Purnaman,人物Dilsara, Bainsamali, Chitra Bahadur Punmagaretc以及他们的创造性文物的消失。Rajkumar Dikpal,尼泊尔文学中多产的说书人,在他的故事“Liwang 2006”中塑造了这些人物,背景是长达十年的毛派叛乱。故事讲述的是一位失去了独生子的老母亲,她曾经梦想着自己唯一的幸福。这些平民的创伤是一种代表国家政治情景的手段。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Tale of a Traumatized Mother in “Liwang 2006”
Nepal has been known a land of peace. But, due to various factors, this country has witnessed many facets of violence in different parts. A decade long conflict between the rebel and national security force that devastated the country’s economic, political, social and cultural discourse has become an integral part for creation of new genres for readers and writers. This mnemonic past along with other historical details, as an integrative focal point has induced creative mind to generate the lifelike situation i.e. disappearance of Purnaman, characters i.e. Dilsara, Bainsamali, Chitra Bahadur Punmagaretc along with their creative artifacts. Rajkumar Dikpal, a prolific storyteller in Nepali literature edifies these characters in his story “Liwang 2006”in th the background of ten years long Maoist insurgency. It unfolds an old mother who has lost her only son who used to dream of her only happiness. And the trauma of these commoners is a means to represent the political scenario of the nation.
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