{"title":"从凡人到不朽的爱情","authors":"Andrew Kahn","doi":"10.1093/oso/9780198857938.003.0011","DOIUrl":null,"url":null,"abstract":"Mandelstam wrote another set of poems marked by the contrast between love as a form of deep social feeling and love as a renunciation of the earthly. Poems that represent love as a social bond celebrate intimacy as friendship, showing a sense of ethical responsibility and protective consolation in a hostile world. Love as depicted here is, in the famous phrase of the Russian philosopher Vladimir Soloviev in On the Meaning of Love, ‘the justification and salvation of individuality through the sacrifice of egoism’. Other poems elevate love to a metaphysical category, reviving the use of archetype that Mandelstam favoured before 1918. But instead of troubled figures like Phaedra and Helen of Troy, the feminine ideal projected here takes the form of otherworldly angels who transcend death. Those visions of the eternal beloved complement the poet’s flight to safety described in the final poems of exile.","PeriodicalId":437011,"journal":{"name":"Mandelstam's Worlds","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Mortal to Immortal Love\",\"authors\":\"Andrew Kahn\",\"doi\":\"10.1093/oso/9780198857938.003.0011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Mandelstam wrote another set of poems marked by the contrast between love as a form of deep social feeling and love as a renunciation of the earthly. Poems that represent love as a social bond celebrate intimacy as friendship, showing a sense of ethical responsibility and protective consolation in a hostile world. Love as depicted here is, in the famous phrase of the Russian philosopher Vladimir Soloviev in On the Meaning of Love, ‘the justification and salvation of individuality through the sacrifice of egoism’. Other poems elevate love to a metaphysical category, reviving the use of archetype that Mandelstam favoured before 1918. But instead of troubled figures like Phaedra and Helen of Troy, the feminine ideal projected here takes the form of otherworldly angels who transcend death. Those visions of the eternal beloved complement the poet’s flight to safety described in the final poems of exile.\",\"PeriodicalId\":437011,\"journal\":{\"name\":\"Mandelstam's Worlds\",\"volume\":\"32 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-07-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mandelstam's Worlds\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780198857938.003.0011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mandelstam's Worlds","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780198857938.003.0011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
曼德尔施塔姆还写了另一组诗,以爱作为一种深刻的社会情感和爱作为一种对世俗的放弃之间的对比为标志。把爱情当作社会纽带的诗,把亲密当作友谊来赞美,表现出在充满敌意的世界里的伦理责任感和保护性安慰。正如俄罗斯哲学家弗拉基米尔·索洛维耶夫在《论爱的意义》中所说的那样,这里所描述的爱是“通过牺牲利己主义来证明和拯救个性”。其他诗歌将爱情提升到一个形而上的范畴,恢复了曼德尔施塔姆在1918年之前喜欢的原型的使用。但与费德拉(Phaedra)和特洛伊的海伦(Helen of Troy)等陷入困境的人物不同,这里展现的女性理想是以超越死亡的超凡天使的形式出现的。那些对永恒爱人的憧憬补充了诗人在流放的最后几首诗中描述的逃向安全之地。
Mandelstam wrote another set of poems marked by the contrast between love as a form of deep social feeling and love as a renunciation of the earthly. Poems that represent love as a social bond celebrate intimacy as friendship, showing a sense of ethical responsibility and protective consolation in a hostile world. Love as depicted here is, in the famous phrase of the Russian philosopher Vladimir Soloviev in On the Meaning of Love, ‘the justification and salvation of individuality through the sacrifice of egoism’. Other poems elevate love to a metaphysical category, reviving the use of archetype that Mandelstam favoured before 1918. But instead of troubled figures like Phaedra and Helen of Troy, the feminine ideal projected here takes the form of otherworldly angels who transcend death. Those visions of the eternal beloved complement the poet’s flight to safety described in the final poems of exile.