室外客厅

Hayley Marie Gillette, Vandana Baweja
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引用次数: 0

摘要

在20世纪40年代和50年代,佛罗里达的现代主义建筑师开发了一种地方住宅——佛罗里达热带之家,迈阿密建筑师罗伯特·劳·威德(1897-1961)在1933年芝加哥的世纪进步博览会上设计了佛罗里达热带之家。佛罗里达热带之家的一个特点是室内和室外空间的统一,通过景观建筑和房屋内部的融合。建筑师采用了多种设计策略来实现室内和室外的融合。一份年度建筑杂志《佛罗里达建筑》记录了从20世纪40年代到50年代室内和室外空间的日益统一。该杂志的编辑顾问委员会由进步的建筑师组成,如weed, Wahl Snyder (1910-1989), Igor Polevitzky (1911-1978), Robert Little(1915-1982)和Alfred Browning Parker(1916-2011),他们的项目被认为是热带家庭的实验。本文将研究佛罗里达热带之家在20世纪40年代和50年代如何重新定义室内和室外的关系——从分离到统一。通过对发表在《佛罗里达建筑》杂志上的住宅的分析,本研究得出结论,建筑师基于室内和室外之间的新关系开发了一种佛罗里达区域建筑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Outdoor Living Room
In the 1940s and 50s, Florida modernist architects developed a regional house—The Florida Tropical Home—that the Miami architect Robert Law Weed (1897–1961) inaugurated with his design of the Florida Tropical Home at the 1933 Century of Progress Fair in Chicago. One of the attributes of the Florida Tropical Home was the unification of indoor and outdoor spaces, through a fusion of landscape architecture and the interior of the house. Architects deployed multiple design strategies to achieve this fusion of indoors and outdoors. An annual architecture magazine—Florida Architecture—documented the increasing unification of indoor-outdoor spaces from the 1940s into the 50s. The magazine’s editorial advisory board comprised progressive architects such as—Weed, Wahl Snyder (1910–1989), Igor Polevitzky (1911–1978), Robert Little (1915–1982), and Alfred Browning Parker (1916–2011)—whose projects were featured as experiments in tropical homes. This paper will investigate how the Florida Tropical Home in the 1940s and 50s redefined the relationship between indoors and outdoors— from one of separation to one of unification. Through an analysis of the homes published in Florida Architecture, this study concludes that the architects developed a Florida regional architecture that was based on new relationships between indoors and outdoors.
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