香奈儿2.55

Jeannie Suk Gersen
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引用次数: 0

摘要

弗洛伊德说,钱包是女性身体的象征,是神秘和隐藏的容器。一个带着孩子进入社会的女人,可以说是抱着自己的子宫。香奈儿2.55包——钱包永恒的羡慕对象——是一种重生。这并不是可可·香奈儿设计的第一个包。她在1929年的第一次尝试引起了丑闻。在“受够了把钱包拿在手里又丢了”之后,她受到军用挎包的启发,缝了一条加长的背带,让女性可以不用手拎着包挎在肩上。为女性设计一款可被社会接受的单肩包提供了新的行动自由,也是对爵士时代巴黎性解放的一种认可。香奈儿因许多事情而闻名,包括她与斯特拉文斯基和英国皇室等人的浪漫关系。她的2.55英镑的包,因1955年2月出现而得名,前盖上有一个秘密的拉链隔层,用来存放情书。这款包的长肩带是由相连的金属链制成的,其绗缝皮革包身类似于骑师夹克上的图案。它的内衬是香奈儿童年时天主教学校校服的酒红色。灵感来自于她少女时代对马的缰绳和马具的印象,以及她孤儿院看护人的钥匙链,这款包表达了自由与克制,掌控与服从。正如《Vogue》在2013年所指出的那样,“香奈儿包的天才之处在于它的多功能性——半个多世纪以来,它一直是完美的配饰,无论穿着它的人是牛仔裤还是黑领带,无论是巧妙地散乱还是精心地组合在一起,它不仅侵入了我们的衣橱,也侵入了我们的文化意识。”这款手袋是可可·香奈儿(Coco Chanel)在20世纪50年代艰难复出的一部分,15年前,她因第二次世界大战开始而关闭了自己的公司。事实证明,它象征着香奈儿在与纳粹的战时合作之后,能够毫发无损地重新崛起。在一个反犹太主义盛行的社会背景下,香奈儿曾是德国人的秘密特工,也是一名德国情报官员的情妇。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Chanel 2.55
FREUD SAID THE purse was a symbol of female anatomy, a receptacle for the mysterious and hidden. A woman who went out into society carrying one was clutching her womb, so to speak. The Chanel 2.55 bag—timeless object of purse-envy—was a kind of rebirth. It was not the first bag created by Coco Chanel. Her first, in 1929, caused scandal. Having become “fed up with holding my purses in my hands and losing them,” and inspired by military satchels, she sewed on an extended strap to allow women to carry the bag hands-free and over the shoulder. Making a shoulder bag socially acceptable for ladies offered new freedom of movement and a nod to sexual liberation in Jazz Age Paris. Chanel was famous for many things, including her romantic liaisons with the likes of Stravinsky and British royalty. Her 2.55 bag, named for its appearance in February 1955, had a secret zippered compartment in its front flap for keeping love letters. The bag's long shoulder straps were made of linked metal chains, and its quilted leather body resembled the pattern on jockey jackets. Its inner lining was the burgundy color of Chanel's childhood Catholic-school uniforms. Inspired by her girlhood impressions of horses’ bridles and harnesses, and of the keychains of the caretakers at her orphanage, the bag expressed both freedom and restraint, mastery and submission. As Vogue noted in 2013, “The genius of the Chanel bag can be found in its versatility—it has managed to be the perfect accessory, be its wearer in jeans or black-tie, artfully disheveled or painstakingly put together, for more than half a century, invading not only our wardrobes but our cultural consciousness as well.” The bag was part of Coco Chanel's fraught 1950s comeback, 15 years after she closed her business as World War II began. It proved to be an emblem of Chanel's own ability to rise again, unscathed, after her wartime collaboration with the Nazis. In a social set in which anti-Semitism was pronounced, Chanel had been a secret agent for the Germans and mistress to a German intelligence officer.
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