自然强调:从乔叟到德莱顿的英语诗体(复习)

M. Elsky
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引用次数: 0

摘要

在对18世纪前几乎全部英语诗歌的概述中,伍兹呈现了英语格律线轮廓的大部分技术性历史,尽管乔治·赫伯特在这一叙述中只占很小的一部分。也许有两种广泛的方法,一个人可以采取的主题诗句。一种是寻找系统的语言规则,这些规则解释了重音的有规律的交替,而很少考虑意义或诗歌上下文(见Halle和Keyser,英语重音:它的形式,它的发展和它在对调中的作用[纽约:Harper and Row, 1971])。另一种方法使用亚里士多德的文学传统来解释诗人如何使用格律使语言成为一种模仿意义或语音的艺术(见约翰·汤普森,《英语格律的创立》[纽约:哥伦比亚大学出版社,1966])。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Natural Emphasis: English Versification from Chaucer to Dryden (review)
In an overview of almost the entirety of pre-eighteenthcentury English verse, Woods presents a largely technical history of the contour of the metrical line in English, though George Herbert figures in only a small way in this account. There are perhaps two broad approaches one may take to the subject of versification. One seeks the systematic linguistic rules that account for the regular alternation of stress with little regard for meaning or poetic context (see Halle and Keyser, English Stress: Its Form, Its Growth and Its Role in Verso [New York: Harper and Row, 1971]). Another approach uses the Aristotelian literary tradition to explain how poets use meter to make language into an art imitating meaning or the spoken voice (see John Thompson, The Founding of English Meter [New York: Columbia Univ. Press. 1966]).
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