{"title":"Lil 's Hot Shots","authors":"Vic Hobson","doi":"10.14325/mississippi/9781496819772.003.0014","DOIUrl":null,"url":null,"abstract":"This chapter explores the relationship between Armstrong’s playing and classical composition in relation to his wife Lilian Hardin. The music explored includes “Coal Cart Blues,” “Skid-Dat-De-Dat,” and “Struttin’ With Some Barbecue.”While more research is needed, I argue that what has been interpreted as classical influences and harmonic sophistication in Armstrong’s playing in relation to tunes part composed with Hardin, these sophisticated touches are often rooted in barbershop practice rather than in the classical cannon.","PeriodicalId":412217,"journal":{"name":"Creating the Jazz Solo","volume":"30 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Lil’s Hot Shots\",\"authors\":\"Vic Hobson\",\"doi\":\"10.14325/mississippi/9781496819772.003.0014\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores the relationship between Armstrong’s playing and classical composition in relation to his wife Lilian Hardin. The music explored includes “Coal Cart Blues,” “Skid-Dat-De-Dat,” and “Struttin’ With Some Barbecue.”While more research is needed, I argue that what has been interpreted as classical influences and harmonic sophistication in Armstrong’s playing in relation to tunes part composed with Hardin, these sophisticated touches are often rooted in barbershop practice rather than in the classical cannon.\",\"PeriodicalId\":412217,\"journal\":{\"name\":\"Creating the Jazz Solo\",\"volume\":\"30 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Creating the Jazz Solo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14325/mississippi/9781496819772.003.0014\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Creating the Jazz Solo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14325/mississippi/9781496819772.003.0014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这一章探讨了阿姆斯壮的演奏与他的妻子莉莲·哈丁的古典作曲之间的关系。探索的音乐包括“Coal Cart Blues”,“skd - dat - de - dat”和“Struttin ' With Some Barbecue”。虽然需要更多的研究,但我认为,在阿姆斯特朗与哈丁共同创作的曲调部分的演奏中,被解释为古典影响和和声的复杂性,这些复杂的接触往往植根于理发店的实践,而不是古典大炮。
This chapter explores the relationship between Armstrong’s playing and classical composition in relation to his wife Lilian Hardin. The music explored includes “Coal Cart Blues,” “Skid-Dat-De-Dat,” and “Struttin’ With Some Barbecue.”While more research is needed, I argue that what has been interpreted as classical influences and harmonic sophistication in Armstrong’s playing in relation to tunes part composed with Hardin, these sophisticated touches are often rooted in barbershop practice rather than in the classical cannon.