第一个广播时代的快照

T. Lewis
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引用次数: 0

摘要

这一章揭示了无线电和广播是如何在1923年成为一种完全成熟的狂热——注意到这种流行是由于埃德温·h·阿姆斯特朗的发明。它描述了在美国城市可以听的各种其他节目,并分析了似乎每个人都进入了广播行业:报纸、银行、公用事业、百货公司、大学和学院、城镇、药店、乳品厂和医院等等。这一章还讨论了阿姆斯特朗从Westinghouse和他自己的特许经营企业获得的钱,以及他的另一项发明——超级再生。他的其他发现都是经过深思熟虑之后的惊人发现,而超再生完全是偶然发生的。这一章研究了李·德·福里斯特的下一个发明——有声电影,他将其命名为“有声电影”。它还回顾了大卫·萨尔诺夫在20世纪20年代的一项成就——创建国家广播公司。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Snapshots From the First Age of Broadcasting
This chapter unfolds how the radio and broadcasting became a fully fledged craze by 1923 — noting that this popularity was due to Edwin H. Armstrong's inventions. It describes all kinds of other shows to listen to in US cities and analyzes how it seemed that everyone had gone into broadcasting: newspapers, banks, public utilities, department stores, universities and colleges, cities and towns, pharmacies, creameries, and hospitals, among others. The chapter also discusses the money Armstrong gained from Westinghouse and his own licensing enterprise, as well as his other invention — superregeneration. While his other discoveries were the products of intense thought followed by startling revelation, superregeneration happened entirely by chance. The chapter investigates Lee de Forest's next invention, sound motion pictures, which he named “Phonofilm.” It also reviews one of David Sarnoff's triumphs in the 1920s — the creation of the National Broadcasting Company.
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