婚姻在电影中的意义——电影《塔皮·梅尼卡》解析

S. F. Syam
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引用次数: 0

摘要

本研究的重点是Rako Prijanto执导的电影《Teman Tapi Menikah 2》(2020)中所代表的婚姻的意义。印尼的离婚率正在急剧上升,根据中央统计局的数据,2015年,印尼6720万对家庭夫妻中有5.89%离婚。到2020年,离婚案件的数量从7290万对夫妇增加到6.4%。婚姻在社会上似乎不太有希望。如此高的离婚率反映了社会上关于婚姻的社会话语的变化。然而,这一现象似乎并没有反映在电影中,而许多电影在叙事中都刻画了婚姻。因此,探讨婚姻在电影中的表现是很有趣的。本文以电影Teman Tapi Menikah 2 (Friend but married 2)为研究对象,旨在通过描述性定性的方法,提供对婚姻的洞察和电影表现。本研究利用茨维坦·托多罗夫的叙事分析作为一种分析电影内容的技巧,在叙事中寻找婚姻的意义。本文以表征理论作为本研究的理论基础。分析是通过描述影片的故事情节来进行的,按照茨维坦·托多罗夫叙事分析的结构,将影片的故事情节分为三个部分。它们是婚姻的初始阶段——婚姻冲突——解决冲突。本研究发现,电影《Teman Tapi Menikah 2》阐述了婚姻是一种夫妻之间的合作关系,根据各自的角色和部分以平衡和谐的方式运行,目的是创造和构建一个和谐的家庭,无论是在亲子关系中,还是在夫妻本身。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Meaning of Marriage on Film: Analysis of Film 'Teman Tapi Menikah 2
This study focuses on the meaning of marriage which is represented in the film  Teman Tapi Menikah 2 (2020) directed by Rako Prijanto. The divorce rate in Indonesia is increasing sharply, according to data from the Central Bureau of Statistics, it was recorded that 5.89% of the total 67.2 million household couples have divorced in 2015. In 2020, the number of divorce case has increased to 6.4% from 72.9 million married couples. Marriage it seems doesn’t look promising in the society. This high percentage of divorced coupled reflects the changes of social discourse on marriage in the society. However, this phenomenon seemingly hasn’t reflected in the cinema, while many films portray marriage in their narratives. Thus, it is interesting to explore how marriage has been represented in the cinema. This paper explores film Teman Tapi Menikah 2 (Friend but married 2), aiming to provide insight and cinematic representation about marriage by using descriptive qualitative. This research utilizes Tzvetan Todorov's narrative analysis as a technique to analyze the content of the film and find the meaning of marriage in the narrative. This paper relies on representation theory as a form of the theoretical basis of this research. The analysis is carried out by describing the storyline in the film, which will be divided into three parts according to the structure of Tzvetan Todorov's narrative analysis. They are the initial phase of marriage - marriage conflict - conflict resolution. This research finds that the film Teman Tapi Menikah 2 articulated a marriage is a form of a cooperative relationship between husband and wife that runs in a balanced and harmonious manner according to their respective roles and portions, with the aim of creating and build a harmonious family, both in parent-child relationships, as well as husband and wife themselves.
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