{"title":"挑战“平庸和虚伪的海洋”?惠特沃斯和哈里斯画廊的另一种愿景","authors":"James Moore","doi":"10.7228/manchester/9781784991470.003.0008","DOIUrl":null,"url":null,"abstract":"The Whitworth Gallery in Manchester and the Harris Museum and Gallery in Preston provided an alternative vision for the future of art galleries. Rejecting what they saw as excessive commercialism and populism these galleries defined different approaches to public art. This chapter examines these approaches and assesses both their successes and their cultural significance for the region. It also raises question about the nature of ‘public art’ – could it be genuinely inclusive, while being led by an essentially small group of cultural leaders?","PeriodicalId":345547,"journal":{"name":"High culture and tall chimneys","volume":"36 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Challenging ‘the ocean of mediocrity and pretence’? The alternative visions of the Whitworth and Harris galleries\",\"authors\":\"James Moore\",\"doi\":\"10.7228/manchester/9781784991470.003.0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Whitworth Gallery in Manchester and the Harris Museum and Gallery in Preston provided an alternative vision for the future of art galleries. Rejecting what they saw as excessive commercialism and populism these galleries defined different approaches to public art. This chapter examines these approaches and assesses both their successes and their cultural significance for the region. It also raises question about the nature of ‘public art’ – could it be genuinely inclusive, while being led by an essentially small group of cultural leaders?\",\"PeriodicalId\":345547,\"journal\":{\"name\":\"High culture and tall chimneys\",\"volume\":\"36 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"High culture and tall chimneys\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7228/manchester/9781784991470.003.0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"High culture and tall chimneys","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7228/manchester/9781784991470.003.0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Challenging ‘the ocean of mediocrity and pretence’? The alternative visions of the Whitworth and Harris galleries
The Whitworth Gallery in Manchester and the Harris Museum and Gallery in Preston provided an alternative vision for the future of art galleries. Rejecting what they saw as excessive commercialism and populism these galleries defined different approaches to public art. This chapter examines these approaches and assesses both their successes and their cultural significance for the region. It also raises question about the nature of ‘public art’ – could it be genuinely inclusive, while being led by an essentially small group of cultural leaders?
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