埃库洛比亚社区的Umuada土著音乐:精神和巩固的需要

Hope Nkechi Okpala
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摘要

Umuada的字面意思是姐妹/女儿,是伊博文化中的一个群体,包含了一个社区中出生的每个女孩,无论是否已婚。他们在文化、社会、宗教和社区生活的其他方面发挥着非常重要的作用。umuada的组织范围从家庭、亲属、村庄到社区。作为女性,唱歌是她们日常活动的一部分。在每个层次上,他们都参与社区音乐创作,这是社区大多数社会文化活动的特点。最近,umuada的一些成员放弃了参加他们的土著音乐活动,认为这些做法是恋物癖,违背了他们的宗教信仰。这项研究旨在调查umuada在Ekwulobia社区的活动,分析他们的一些音乐,特别注意歌曲的信息。报告还讨论了妇女在社区发展中的地位。本研究的数据收集自作为一名土生土长的埃库洛比亚人和umuada的活跃成员的个人经历,以及其他二手资料。这项研究揭示了umuada的音乐活动在社会控制和促进社区音乐制作的连续性方面发挥了宝贵的作用。它还指出,umuada的音乐活动并不像人们经常错误地认为的那样是恋物癖。因此,为了使这种音乐传统经受住时间的考验,应该鼓励女性积极参与其中,因为它没有任何恋物属性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Umuada indigenous music in Ekwulobia community: Ethos and the need for consolidation
Umuada which literally means sisters/daughters is a group in Igbo culture that incorporates every girl-child born in a community whether married or not. They play very important roles in the cultural, social, religious and other aspects of life in the community. The organization of umuada ranges from family, kindred, village to community levels. As women, singing is part and parcel of their daily activities. At each level, they engage in communal music making which features in most socio-cultural activities in the community. In recent times, some members of umuada have abstained from participating in their indigenous musical activities with the notion that these practices are fetish and are against their religious beliefs. This study amongst other things seeks to investigate the activities of umuada in Ekwulobia community, to analyze some of their music paying special attention to the messages of the songs. It also discusses the place of women in community development. Data for this study were gathered from personal experiences as an Ekwulobian by birth and an active member of umuada as well as from other secondary sources. This study reveals that the musical activities of the umuada plays valuable roles in social control and advances continuity of music making in the community. It also notes that the musical activities of the umuada are not fetish as often erroneously believed. It is thus suggested that for this musical tradition to stand the test of time, women should be encouraged to actively participate in it since it does not have any fetish attribute.
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