高卢罗马白泥人来源测定的几何形态计量学

A. Bourdeu, Denis Piztalis
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引用次数: 3

摘要

数百件高卢罗马时期的白色泥人来自法国中部,现藏于法国博物馆。法国博物馆研究中心利用三维表面扫描技术对这些白色泥人进行了数字化处理。小雕像的形状因许多因素而不同,它们可能因产地、作品作者而异,也可能反映出它们起源的车间对当地的影响。在本文中,我们描述了用于量化和比较小雕像形状的方法,并解释了在一组三维虚拟对象上使用这些方法获得的结果。我们展示了将这些方法应用于一组基于同源点(地标)的三维虚拟对象的结果,这些点(地标)系统地定义并放置在母亲女神和维纳斯雕像的虚拟模型上。我们使用几何形态计量学,包括本质上广义的Procrustes分析,来测量和显示高卢罗马雕像的形状差异,并描述其来源。已经进行了各种分析,包括化学方法,以确定小雕像的来源,并为比较我们的结果提供基础。根据统计分析的结果,我们评估了几何形态计量学在白泥人物源鉴定中的优势和局限性。最后,从更广泛的角度,我们评论了形态计量学分析应用于考古对象的解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Geometric Morphometrics for Provenance Determination of Gallo-Roman White Clay Figurines
Hundreds of Gallo-Roman white clay figurines coming from the center of France and available in the French museums have been digitized by the Centre de Recherche et de Restauration des Musees de France using threedimensional surface scanner technologies. Shapes of the statuettes differ according to many parameters, they may vary according to the sites of origin, the author of the works and they might reflect local influences of the workshops from which they originate. In this paper, we describe methods used to quantify and compare the shapes of the figurines and interpret results obtained by using such methods on a set of three-dimensional virtual objects. we show the results of these methods applied to a set of three dimensional virtual objects based on homologous points (landmarks) systematically defined and placed on the virtual models of mother goddess and Venus figurines. We use geometric morphometrics, including essentially generalized Procrustes analysis, to measure and display the differences in shapes and characterize the provenance of the Gallo-Roman figurines. Various analyses including chemical methods have been already carried out to determine the provenance of the statuettes and provide a basis for the comparison of our results. According to the results of the statistical analysis we assess the advantages and limitations of geometric morphometrics for the characterization of the provenance of the white clay figurines. Finally, from a broader perspective, we comment the interpretation of morphometrical analyses applied to archaeological objects.
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