论里尔克“定”与“形”概念的来源

N. Rymar
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引用次数: 0

摘要

里尔克的事物和人物的中心概念是与里尔克的伦理和审美态度联系在一起的,这种态度是在青年时代的精神情境中形成的,它表达了将人格作为自然与文化的统一而回归到生活世界的完整性的审美意志,从而克服了现代人格的孤独和恐惧。在里尔克看来,事物是人与世界的深层基础之间的中介。丁格迪赫特的诗学表现为在人类文化的巨大连续体的存在经验的语境中揭示事物现象的诗学。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ABOUT THE SOURCES OF RILKE’S CONCEPTS OF «DING» AND «FIGUR»
The central concepts of Rilke’s things and figures are considered in connection with the ethical and aesthetic attitudes of Rilke, which were formed in the spiritual situation of Jugendstil, which expressed the aesthetic will to return the personality to the integrity of the life world as a unity of nature and culture and thus overcome the loneliness and fear of the personality of the modern era. The thing is experienced by Rilke as an intermediary between man and the world in its deep foundations. The poetics of Dinggedicht is shown as the poetics of revealing the phenomenon of a thing in the contexts of the existential experience of a large continuum of human culture.
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