堂吉诃德是游戏玩家?

Miguel Sebastián-Martín
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引用次数: 0

摘要

本文提出了“新媒体堂吉诃德主义”的概念,并以《黑镜》中的“USS Callister”一集为例进行了阐释,认为这是对堂吉诃德文学神话的元媒介重写。具体来说,我研究了这个神话的核心语义成分是如何在一个科幻叙事的背景下被重写的,这个叙事的主题是关于资本主义24/7视听消费系统的影响。我的观点是,《黑镜》和最近的其他科幻小说似乎表明,所谓的“新媒体”技术可以在人类个体中产生一种技术支持的堂吉诃德主义,发展出与堂吉诃德极其相似的性格特征。因此,作为例证,我关注的是《卡利斯特号》如何更新神话,讽刺男性玩家/极客/书呆子的刻板印象,他们被重新想象成数字领域新自由主义、男权个人主义的堂吉诃德式化身。尽管如此,我的基本假设是,“新媒体堂吉诃德主义”的科幻概念值得进一步发展和研究,尽管它具有讽刺性的凄凉和表面上的技术决定论,但它也开启了颠覆性的、变革的希望。总的来说,批判式反乌托邦的潜在矛盾心理与堂吉诃德的矛盾心理非常相似,他既是讽刺的对象又是乌托邦主义的主体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Don Quixote as gamer?
This article proposes the notion of “new media quixotism” and illustrates it with Black Mirror’s episode “USS Callister,” which is interpreted as a metamedial rewriting of the literary myth of Don Quixote. Specifically, I examine how the myth’s core semantic components are rewritten within the context of an sf narrative that is thematically concerned with the effects of the capitalist system of 24/7 audio-visual consumption. My argument is that Black Mirror, together with other recent sf narratives, seems to suggest that so-called “new media” technologies can generate a form of technologically enabled quixotism in human individuals, developing character traits profoundly akin to Don Quixote’s. Thus, as illustration, I focus on how “USS Callister” updates the myth for a satire of the male gamer/geek/nerd stereotype, who is reimagined as a quixotic embodiment of neoliberal, patriarchal individualism in the digital realm. Nonetheless, my underlying assumption is that the sf notion of “new media quixotism” merits further development and study and that, despite its satirical bleakness and its seeming techno-determinism, it also opens subversive, transformative hopes. Overall, the underlying ambivalence of the critical dystopia productively parallels the ambivalence of Don Quixote, who is both an object of satire and a subject of utopianism.
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