对小数字的恐惧:用支离破碎的诗句重新想象历史

K. Qasim, Munazza Yaqoob
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引用次数: 1

摘要

本文探讨了卡米拉·沙姆西的《破碎的诗句》如何挑战巴基斯坦官方版本关于齐亚政权的历史叙述,通过呈现主要利用主观记忆的反历史来突出被排除在主流历史叙述之外的边缘化声音。借鉴米歇尔·福柯(Michel Foucault)的反历史概念,本研究重现了齐亚将军(General Zia)政权时期国家历史的多重经历,这些经历突出了被遗忘的声音和无声的排斥。它还运用了阿帕杜莱对少数民族的恐惧概念来调查齐亚政权所宣扬的仇恨文化,以证明其在国家生活各个领域的伊斯兰化政策是合理的。齐亚的《胡杜德法令》剥夺了巴基斯坦妇女和宗教少数群体的自由,因为这两者都成为他的政权倒退宗教政策的直接目标。卡米拉·沙姆西(Kamila Shamsie)在她的小说《破碎的诗句》(Broken Verses)中,通过提供一个包容性和多元化的历史反版本,揭露了官方国家叙事中普遍存在的裂缝和差距。此外,本文还探讨了小说试图发掘隐藏在官方历史版本之下的失落和未被听到的声音的方式,并记录了这些民族主义的观点,这些观点不仅包括差距、混乱和不连续性,而且包括语言和精神上的分裂。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FEAR OF SMALL NUMBERS: RE-VISIONING HISTORY IN BROKEN VERSES
This paper explores how Kamila Shamsie’s Broken Verses challenges the official version of the Pakistani historical narrative on the Zia regime by presenting counter-histories that mainly draw on subjective memories to highlight the marginalised voices which are left out of the dominant historical narratives. Drawing on Michel Foucault’s concept of counter-histories, this study revives the memories of multiple experiences of national history during General Zia’s regime that highlight the forgotten voices and the silent exclusions. It also deploys Appadurai’s concept of fear of minorities to investigate the culture of hate promoted by Zia’s regime to justify his policy of Islamisation in every field of national life. Zia’s Hudood Ordinances denied the freedom to Pakistani women and religious minorities, as both became the direct target of the regressive religious policies of his regime. Kamila Shamsie in her novel, Broken Verses, exposes fissures and gaps prevalent in the official national narratives by providing a counter version of history that is both inclusive and pluralistic. Moreover, this paper explores the way the novel tries to unearth the lost and unheard voices that are buried under the official version of history and documents those perspectives on nationalism that not only embrace gaps, chaos, and discontinuity but also linguistic and psychic fragmentation.
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