交互式多模态音乐转录

J. Quereda, C. Pérez-Sancho
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引用次数: 9

摘要

音乐自动抄写通常是作为一项自主任务进行的,人们从精确度、召回率、准确性等方面对其进行了评价。然而,在这项工作中,假设目前的技术水平远非完美,它被认为是一个交互式的,其中专家用户在转录工具的协助下工作。在这种情况下,系统的性能评估变成了需要多少用户交互来完成工作的评估。该策略是系统可以使用用户交互以自适应的方式改进其性能,从而最大限度地减少工作量。此外,还实现了一种多模态方法,以这样一种方式,使用不同的信息源(如起跳、节拍和节拍)来检测音乐音频摘录中的音符。该系统的重点是单音色复调转录。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Interactive multimodal music transcription
Automatic music transcription has usually been performed as an autonomous task and its evaluation has been made in terms of precision, recall, accuracy, etc. Nevertheless, in this work, assuming that the state of the art is far from being perfect, it is considered as an interactive one, where an expert user is assisted in its work by a transcription tool. In this context, the performance evaluation of the system turns into an assessment of how many user interactions are needed to complete the work. The strategy is that the user interactions can be used by the system to improve its performance in an adaptive way, thus minimizing the workload. Also, a multimodal approach has been implemented, in such a way that different sources of information, like onsets, beats, and meter, are used to detect notes in a musical audio excerpt. The system is focused on monotimbral polyphonic transcription.
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