黑白混血儿的种族传承:内拉·拉尔森的《传承》和杰西·福塞特的《梅子包》的历史主义新解读

D. Fatmawati
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摘要

种族伪装是混血儿伪装成白人的行为,在哈莱姆文艺复兴时期成为一种现象。哈莱姆文艺复兴是与艺术、文学、音乐相关的非裔美国人文化得到极大颂扬的时代。这个时代也可以说是非裔美国人自南北战争以来最迷人、最幸福的时刻。本研究以哈莱姆文艺复兴时期两种著名的种族传递叙事:奈拉·拉森的《路过》和杰西·福塞的《梅子包》为研究对象,旨在寻找这两种叙事中对种族传递实践的描述,从而对这一问题有更深入的了解。本研究是在后民族主义的美国研究范式下,考虑少数民族的视角来理解美国。在这种情况下,少数民族的观点来自非洲裔美国人的混血儿(黑白混血儿)。由于本研究的重点是历史现象,因此本研究也采用了新历史主义的研究方法。通过分析,种族传递是白人通过吉姆·克劳法统治的一种反应,非裔美国人认为种族传递既是“愚弄白人”的一种形式,也是对“本族”的背叛。关键词:种族传承,黑白混血儿,哈莱姆文艺复兴,吉姆·克劳,新历史主义
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Racial Passing Practiced by Mulattoes: A New Historicist Reading of Nella Larsen’s Passing and Jessie Fauset’s Plum Bun”
Racial passing practice is the act of passing or disguising as white by mulattoes, and it became a phenomenon during Harlem Renaissance. Harlem Renaissance is an era when African American culture related to arts, literature, and music were greatly celebrated. This era can also be said as the most glamorous and happiest moment for African Americans since the antebellum era. Using two of the prominent racial passing narratives during Harlem Renaissance: Passing by Nella Larsen and Plum Bun by Jessie Fauset, this research aims to find the depiction of racial passing practice in the two narratives in order to get deeper understanding of the issue. This research is under American Studies paradigm of Post-nationalist to take into account the minorities’ perspective in understanding America. The minorities’ perspective in this context is from African American’s mixed raced descents (mulattoes). As the focus of this research is historical phenomenon, this research also applies New Historicism as an approach. Based on the analysis, racial passing practice was a reaction from white’s domination through Jim Crow laws, and African Americans considered racial passing practice as a form of both “fooling the white folks” and a betrayal to their “true people”. Keywords: Racial Passing, Mulattoes, Harlem Renaissance, Jim Crow, New Historicism
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