被迫的抖音创作者?这款短视频应用对菲律宾音乐人的矛盾启示

Jeremy Tintiangko, A. Fung, Jindong Leo-Liu
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引用次数: 0

摘要

本研究关注菲律宾音乐家在表演、推广策略和其他与职业相关的努力中融入TikTok。由于音乐艺术家被迫,无论是有意还是无意,坚持平台的逻辑,我们批判性地评估其对他们作为创造性工作者的经历的影响。正如所揭示的那样,菲律宾音乐家使用TikTok促进了一种新的文化逻辑和形式的构建,在他们从事新颖的创造性追求以及参与新兴形式的受众关系时,增强了音乐内容和叙事。然而,TikTok在音乐行业的广泛使用也带来了一系列新的义务,加剧了音乐人现有的压力。这项研究揭示了TikTok作为一个平台的矛盾作用,它可能会解放和扩大独立和创造性的文化生产,同时也会给创造性工作者带来新的紧张来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Compelled TikTok creators? The ambivalent affordances of the short video app for Filipino musicians
This study is concerned with the incorporation of TikTok by Filipino musicians in their performances, promotion strategies, and other career-related endeavors. As the music artists are compelled, whether consciously or otherwise, to adhere to the logics of the platform, we critically evaluate its implications on their experiences as creative workers. As revealed, the use of TikTok by Filipino musicians fosters the construction of a new cultural logic and format that enhances music content and narratives as they engage in novel creative pursuits as well as participate in nascent forms of audience relations. Yet the prevalence of TikTok use within the music industry also engenders a new range of obligations that reinforce existing pressures on musicians. This study sheds light on the ambivalent role of TikTok as a platform that could potentially liberate and amplify independent and creative cultural production while also generating new sources of tension for creative workers.
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