最终的想法

R. Lyman
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引用次数: 0

摘要

图表是分析工具和交流工具,它们直观地总结了所学的知识。虽然考古学的主要目的是记录和解释文化变迁,但奇怪的是,在考古学文献中,描绘文化变迁的方式和原因却很少受到关注。主轴图可能会继续是最常用的图形类型的图表变化,但计算机软件的持续发展可能会导致新的图形类型和风格。最近对主轴图的修改包括将棒材厚度缩放到所表示的组合的时间持续时间。高岭土管杆孔径的经典时间变化数据可以用回归线、柱状图和主轴图来绘制;不同的图表强调了如何对现象进行分类,如何绘制数据,以及一个人的变化理论是相互影响的。决定在任何特定情况下使用哪种图形类型将取决于研究人员希望说明的内容,以及生成易于破译的图形的目标。20世纪出现的大多数考古图表都描绘了变化的演化。纺锤形图在20世纪40年代后期发展起来后,迅速成为北美考古学家首选的图形类型。有微弱的间接证据表明,考古学家可能从古生物学中借用了纺锤图的概念,但更有可能的是,这个想法是由早期考古学家偶然发现的,他们随着时间的推移在人工制品的频率中发现了单峰脉冲,并开发了这些脉冲的一般模型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Final Thoughts
Graphs are analytical tools and communication tools, and they summarize visually what has been learned. Granting that a major purpose of archaeology is to document and explain culture change, it is odd that the hows and whys of graphing culture change have received minimal attention in the archaeology literature. Spindle graphs will likely continue to be the most frequently used graph type for diagraming change, but continued development of computer software may result in new graph types and styles. Recent modifications to spindle graphs include scaling bar thickness to temporal duration of the represented assemblage. Classic data on temporal change in kaolin pipe stem hole diameters can be graphed using a regression line, a bar graph, and a spindle graph; the different graphs highlight that how phenomena are classified, how data are graphed, and one’s theory of change are mutually influential. Deciding which graph type to use in any particular situation will depend on what the researcher hopes to illustrate, along with the goal to produce a readily deciphered graph. The majority of archaeological graphs that appeared in the twentieth century depict variational evolution. Once developed in the late 1940s, spindle graphs quickly became the graph type preferred by North American archaeologists. There is weak circumstantial evidence archaeologists may have borrowed the idea of spindle graphs from paleontology, but it seems more likely the idea was stumbled upon by early archaeologists who perceived unimodal pulses in artifact frequencies over time and developed general models of those pulses.
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