{"title":"在ţigănie中可以产生音乐情感的其他场合","authors":"Filippo Bonini Baraldi","doi":"10.1093/oso/9780190096786.003.0006","DOIUrl":null,"url":null,"abstract":"This chapter presents a detailed ethnography of other situations in which musicians—either professional, semiprofessional, or amateur—, cry openly while playing music. These are smaller celebrations and spontaneous parties in the Roma neighborhood of Ceuaş. The chapter first describes a baptism, and then more intimate musical gatherings taking place at the musicians’ homes. The comparison of all these situations reveals the main factors that trigger the musicians’ emotional outbursts: a particular social context (at home with friends), alcohol, and “personal” tunes.","PeriodicalId":427641,"journal":{"name":"Roma Music and Emotion","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Other occasions when musical emotions can arise in ţigănie\",\"authors\":\"Filippo Bonini Baraldi\",\"doi\":\"10.1093/oso/9780190096786.003.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter presents a detailed ethnography of other situations in which musicians—either professional, semiprofessional, or amateur—, cry openly while playing music. These are smaller celebrations and spontaneous parties in the Roma neighborhood of Ceuaş. The chapter first describes a baptism, and then more intimate musical gatherings taking place at the musicians’ homes. The comparison of all these situations reveals the main factors that trigger the musicians’ emotional outbursts: a particular social context (at home with friends), alcohol, and “personal” tunes.\",\"PeriodicalId\":427641,\"journal\":{\"name\":\"Roma Music and Emotion\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Roma Music and Emotion\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780190096786.003.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Roma Music and Emotion","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190096786.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Other occasions when musical emotions can arise in ţigănie
This chapter presents a detailed ethnography of other situations in which musicians—either professional, semiprofessional, or amateur—, cry openly while playing music. These are smaller celebrations and spontaneous parties in the Roma neighborhood of Ceuaş. The chapter first describes a baptism, and then more intimate musical gatherings taking place at the musicians’ homes. The comparison of all these situations reveals the main factors that trigger the musicians’ emotional outbursts: a particular social context (at home with friends), alcohol, and “personal” tunes.