黑人的生命在海地革命中很重要

A. G. Sepinwall
{"title":"黑人的生命在海地革命中很重要","authors":"A. G. Sepinwall","doi":"10.14325/mississippi/9781496833105.003.0006","DOIUrl":null,"url":null,"abstract":"This chapter examines the 2014 comedy Top Five, starring writer-director Chris Rock. Top Five centers on Rock’s character André Allen, a Black comedian and movie star promoting his new film Uprize!, an epic about the Haitian Revolution. The chapter analyzes Top Five alongside Rock’s interviews, tweets, and standup routines, to illustrate his using the Revolution as a symbol of whites’ ignorance regarding the history of slavery, as well as their discomfort with violence by Blacks (even when the latter were enslaved people yearning for freedom). The chapter argues that Rock, exemplifying the African American trickster tradition, appears to be joking when he is actually making a searing critique of Hollywood disinterest in making serious films about slavery and other painful chapters in Black History.","PeriodicalId":445834,"journal":{"name":"Slave Revolt on Screen","volume":"12 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Black Lives Mattered in the Haitian Revolution\",\"authors\":\"A. G. Sepinwall\",\"doi\":\"10.14325/mississippi/9781496833105.003.0006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter examines the 2014 comedy Top Five, starring writer-director Chris Rock. Top Five centers on Rock’s character André Allen, a Black comedian and movie star promoting his new film Uprize!, an epic about the Haitian Revolution. The chapter analyzes Top Five alongside Rock’s interviews, tweets, and standup routines, to illustrate his using the Revolution as a symbol of whites’ ignorance regarding the history of slavery, as well as their discomfort with violence by Blacks (even when the latter were enslaved people yearning for freedom). The chapter argues that Rock, exemplifying the African American trickster tradition, appears to be joking when he is actually making a searing critique of Hollywood disinterest in making serious films about slavery and other painful chapters in Black History.\",\"PeriodicalId\":445834,\"journal\":{\"name\":\"Slave Revolt on Screen\",\"volume\":\"12 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Slave Revolt on Screen\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14325/mississippi/9781496833105.003.0006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Slave Revolt on Screen","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14325/mississippi/9781496833105.003.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

本章将介绍2014年由编剧兼导演克里斯·洛克主演的喜剧《前五名》。前五名的主角是洛克饰演的黑人喜剧演员安德鲁·艾伦,他是一名电影明星,正在宣传他的新片《奋发向上!》,一部关于海地革命的史诗。本章分析了前五名以及洛克的访谈、推特和脱口秀节目,以说明他将革命作为白人对奴隶制历史无知的象征,以及他们对黑人暴力的不满(即使后者是渴望自由的奴隶)。这一章认为,罗克是非洲裔美国骗子传统的例证,他似乎是在开玩笑,实际上是在严厉批评好莱坞对制作关于奴隶制和黑人历史上其他痛苦章节的严肃电影不感兴趣。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Black Lives Mattered in the Haitian Revolution
This chapter examines the 2014 comedy Top Five, starring writer-director Chris Rock. Top Five centers on Rock’s character André Allen, a Black comedian and movie star promoting his new film Uprize!, an epic about the Haitian Revolution. The chapter analyzes Top Five alongside Rock’s interviews, tweets, and standup routines, to illustrate his using the Revolution as a symbol of whites’ ignorance regarding the history of slavery, as well as their discomfort with violence by Blacks (even when the latter were enslaved people yearning for freedom). The chapter argues that Rock, exemplifying the African American trickster tradition, appears to be joking when he is actually making a searing critique of Hollywood disinterest in making serious films about slavery and other painful chapters in Black History.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信