反光的动画。浏览What-What

Jhono Bennett
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引用次数: 0

摘要

在后种族隔离的南非背景下,批判性地参与当代建筑研究,需要一种方法,以负责任的创造性方式融合对身份、位置和声音的关注,同时不加强这种工作中固有的现有权力动态。本文采用简·伦德尔的“现场写作”模式,发展了一种方法,来引导这些人口间和地域间的困境——“什么”——当从“北方”的机构工作,从“南方”的立场通过多个受众发言时,这些困境就会出现。一种反思性动画方法已经被开发出来,它为记录和推测后种族隔离时代南非城市空间设计实践的隐性本质提供了一种原型方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
REFLECTIVE ANIMATION. Navigating the What-What
Abstract Critically engaging with one’s positionality in contemporary architectural research in a post-Apartheid South African context requires an approach that blends concerns about identity, location, and voice in responsibly creative means, while not reinforcing the existing power dynamics inherent in such work. This essay employs Jane Rendell’s Site-Writing modality to develop a means of navigating these inter-demographic and inter-locational dilemmas - the What-What - that emerge when working from a »northerly« located institution and speaking from a »Southern« position through multiple audiences. A reflective-animation method has been developed that provides a proto-methodology for both documenting and speculating with the tacit nature of spatial design practice in post-Apartheid South African cities.
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