《迷恋中的旧情》这是一个现代文学和美学的交叉

A. Ba
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引用次数: 0

摘要

Christa Wolf属于1990年德国统一后参与文学论战的作家群体。在她的书《布赖布特》(1990)中,她或多或少地试图澄清她自己参与前民主德国日常生活的一些不同方面,这些方面在某种程度上往往是非常戏剧化的。在这本带有明显自传色彩的叙述中,她讲述了自己生活中的一部分,在那段时间里,她受到了前东德秘密警察斯塔西(Stasi)的监视。随着这本书的出版,她在统一后的德国引发了一场激烈的文学辩论,在那里她被视为德意志民主共和国的亲密合作者或受害者。本文追溯了这位伟大的德国文学人物的一生,并重新审视了冷战期间德国不同的政治背景和文学方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CHRISTA WOLFS „WAS BLEIBT“ (1990). EIN ZEITLICH-LITERARISCHER SPAGAT ZWISCHEN ÄSTHETIK UND POLITIK
Christa Wolf belongs to the groups of authors who were involved in the literary polemics after the German reunification occurred 1990. With her book, Was bleibt (1990), she tries more or less to clarify some different aspects of her own involvement in the daily life of the former GDR which tend to be to some extent very dramatic. In this narrative with obvious autobiographical underpinnings, she deals with a part of her life, during which she suffered from surveillance by the Stasi, the secret police of the former GDR. With the publication of this book, she launches a heavy literary debate in the unified Germany, where she was seen as a close collaborator or victim of the GDR. This paper traces out the life of this great German literary figure and revisits different political contexts and literary aspects during the Cold War in Germany.
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