Modernism and Exile:

Chapter 1 examines how Louis Adamic used the paradox of immigrants providing the labor to make the United States the wealthiest nation on earth while receiving mostly misery in return. The xenophobes who dominated US politics after World War I made it clear that Slavs were not quite “white” and thus not quite American. Adamic and his fellow countrymen found themselves in between white and black on the US racial spectrum and trapped in between Slovenian and US cultures. During the 1920s, he grappled with this liminality by employing literary modernism and writing from the perspective of an exiled peasant. In 1933, he added a political dimension to work when writing about slovenstvo (Slovene spirit) at a crucial moment in his homeland’s history.