{"title":"理解麦克劳德:在创伤的背景下对抗封闭","authors":"Harriet Hustis","doi":"10.1353/ink.2022.0032","DOIUrl":null,"url":null,"abstract":"ABSTRACT:As Professor of English and Director of the Honors & Scholars Program at The College of New Jersey (TCNJ), I have twice selected Scott McCloud's Understanding Comics: The Invisible Art (1993) as a foundational text in my upper-level, undergraduate seminars on Storytelling & Graphic Narrative. In particular, I have found that it is essential to teach students—and particularly English majors specializing in literary analysis—to resist McCloud's assertion that reading comics is often, if not always, about formulating a sense of \"closure.\"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"18 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Understanding McCloud: (En)Countering Closure in the Context of Trauma\",\"authors\":\"Harriet Hustis\",\"doi\":\"10.1353/ink.2022.0032\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:As Professor of English and Director of the Honors & Scholars Program at The College of New Jersey (TCNJ), I have twice selected Scott McCloud's Understanding Comics: The Invisible Art (1993) as a foundational text in my upper-level, undergraduate seminars on Storytelling & Graphic Narrative. In particular, I have found that it is essential to teach students—and particularly English majors specializing in literary analysis—to resist McCloud's assertion that reading comics is often, if not always, about formulating a sense of \\\"closure.\\\"\",\"PeriodicalId\":392545,\"journal\":{\"name\":\"Inks: The Journal of the Comics Studies Society\",\"volume\":\"18 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Inks: The Journal of the Comics Studies Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/ink.2022.0032\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Inks: The Journal of the Comics Studies Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ink.2022.0032","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Understanding McCloud: (En)Countering Closure in the Context of Trauma
ABSTRACT:As Professor of English and Director of the Honors & Scholars Program at The College of New Jersey (TCNJ), I have twice selected Scott McCloud's Understanding Comics: The Invisible Art (1993) as a foundational text in my upper-level, undergraduate seminars on Storytelling & Graphic Narrative. In particular, I have found that it is essential to teach students—and particularly English majors specializing in literary analysis—to resist McCloud's assertion that reading comics is often, if not always, about formulating a sense of "closure."