利用三重态对改进音频- midi对齐

Yifan Wang, Shuchang Liu, Li Guo
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引用次数: 0

摘要

在本文中,我们采用了一种基于神经网络的跨模态模型来处理音频- midi校准任务。提出了一种新的基于Hinge loss的损失函数来优化模型学习欧几里德嵌入空间,其中嵌入向量的距离可以直接作为对齐相似性的度量。在以往同样基于交叉模态模型的对准系统中,损失函数中存在正对和负对,分别表示对准对和不对准对。在本文中,我们引入了一个额外的重叠对来捕捉音乐的开始信息。我们在MAPS数据集上评估我们的系统,并将其与之前的其他方法进行比较。结果表明,当对准误差阈值设置为10 ms时,该系统的对准精度明显优于基于转录的方法,达到81.61% ~ 86.41%。与其他音频- midi校准系统中实现的损失函数相比,所提出的损失函数在绝对起始误差统计方面也有改进。并对嵌入向量的维数进行了实验,结果表明该方法在较低维数下仍能保持对齐性能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Improvement on Audio-to-MIDI Alignment Using Triplet Pair
In this paper, we employ a neural network based cross-modality model on audio-to-MIDI alignment task. A novel loss function based on Hinge Loss is proposed to optimize the model learning an Euclidean embedding space, where the distance of embedding vectors can be directly used as a measure of similarity in alignment. In the previous alignment system also based on cross-modality model, there are positive and negative pairs in the loss function, which represent aligned and misaligned pairs. In this paper, we introduce an extra pair named overlapping to capture musical onset information. We evaluate our system on the MAPS dataset and compare it to other previous methods. The results reveal that the align accuracy of the proposed system beats the transcription based method by a significant margin, e.g., 81.61% to 86.41%, when the align error threshold is set to 10 ms. And the proposed loss also has an improvement on the statistics of absolute onset errors in comparison to the loss function implemented in other audio-to-MIDI alignment system. We also conduct experiments on the dimension of embedding vectors and results show the proposed system can still maintain the alignment performance with lower dimension.
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