艺术与文学的分期:一个历史的视角

Libor Pavera
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引用次数: 0

摘要

这篇论文的作者探讨了一个基本的问题——什么是文学史?一般来说,文学史属于文学领域的基础书籍,是年轻一代文学学者研究的起点,也是普通大众在文学和民俗学领域教授和获取历史观念的工具。材料是如何周期化的?历史是如何解释的?这都是关于概念和观点吗?他提出问题并试图找到答案。他还注意到将历史划分为更小的部分,即所谓的历史分期。从这个角度来看,文学史是一个基于社会、文化和艺术变化而划分文学的时期。文学史的分期根据地理位置和历史时期而不同,但也根据思维类型(如中国道教哲学阴阳模式的周期性重复)或根据特定的体裁(如日本基于俳句体裁发展的分类)而不同。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Periodization of art and literature : a historical perspective
The author of the paper deals with a basic question – what is the history of literature? As a rule, the history of literature belongs to the basic books of the field, they are the starting point for the study of the younger generations of literary scholars, and they are used by the general public to teach and get ideas about the history in the field of literature and folklore. How is the material periodized? How is history interpreted? Is it all about concepts and opinions? He asks questions and tries to find answers. He also notes the division of history into smaller sections, the so-called periodization of history. From this perspective, literary history is a period in which literature is divided based on social, cultural, and artistic changes. The periodization of literary history differs according to geographical location and historical period, but also according to the type of thinking (such as Chinese cyclical repetition of the Yin-Yang pattern of Taoist philosophy) or according to a specific genre (such as Japanese classification based on the development of the haiku genre).
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