{"title":"迈克尔·契诃夫:导演演员剧院","authors":"T. Cornford","doi":"10.5040/9781474284455.ch-007","DOIUrl":null,"url":null,"abstract":"This chapter argues that Michael Chekhov's work is incompletely understood unless we consider him as both an actor and a director and as a theorist not only of acting but of theatre more widely. It offers an overview of his directorial work and analyses his directorial process, from which it derives some exercises for use in the rehearsal room.","PeriodicalId":368958,"journal":{"name":"Russian Theatre in Practice","volume":"93 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Michael Chekhov: Directing an Actors’ Theatre\",\"authors\":\"T. Cornford\",\"doi\":\"10.5040/9781474284455.ch-007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter argues that Michael Chekhov's work is incompletely understood unless we consider him as both an actor and a director and as a theorist not only of acting but of theatre more widely. It offers an overview of his directorial work and analyses his directorial process, from which it derives some exercises for use in the rehearsal room.\",\"PeriodicalId\":368958,\"journal\":{\"name\":\"Russian Theatre in Practice\",\"volume\":\"93 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Russian Theatre in Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5040/9781474284455.ch-007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Russian Theatre in Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5040/9781474284455.ch-007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter argues that Michael Chekhov's work is incompletely understood unless we consider him as both an actor and a director and as a theorist not only of acting but of theatre more widely. It offers an overview of his directorial work and analyses his directorial process, from which it derives some exercises for use in the rehearsal room.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
