{"title":"非殖民化美学与博物馆:罗兰多·梅尔肯访谈Vázquez","authors":"R. Wevers","doi":"10.54533/stedstud.vol008.art06","DOIUrl":null,"url":null,"abstract":"Rosa Wevers (RW): Rolando, you are the organizer of the Decolonial Summer School in Middelburg, you have published on decolonial theory and practice, and you are invited by many art institutions to speak on the question of how to decolonize the museum.[1] You are affiliated with the Institute of Cultural Inquiry (ICON) at Utrecht University and you are part of the advisory board of the Museum of Equality and Difference (MOED). Speaking from this position, what do you consider to be the urgent issues that Dutch art institutions should deal with today?","PeriodicalId":143043,"journal":{"name":"Stedelijk Studies Journal","volume":"81 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Decolonial Aesthesis and the Museum: An Interview with Rolando Vázquez Melken\",\"authors\":\"R. Wevers\",\"doi\":\"10.54533/stedstud.vol008.art06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Rosa Wevers (RW): Rolando, you are the organizer of the Decolonial Summer School in Middelburg, you have published on decolonial theory and practice, and you are invited by many art institutions to speak on the question of how to decolonize the museum.[1] You are affiliated with the Institute of Cultural Inquiry (ICON) at Utrecht University and you are part of the advisory board of the Museum of Equality and Difference (MOED). Speaking from this position, what do you consider to be the urgent issues that Dutch art institutions should deal with today?\",\"PeriodicalId\":143043,\"journal\":{\"name\":\"Stedelijk Studies Journal\",\"volume\":\"81 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Stedelijk Studies Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54533/stedstud.vol008.art06\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Stedelijk Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54533/stedstud.vol008.art06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Decolonial Aesthesis and the Museum: An Interview with Rolando Vázquez Melken
Rosa Wevers (RW): Rolando, you are the organizer of the Decolonial Summer School in Middelburg, you have published on decolonial theory and practice, and you are invited by many art institutions to speak on the question of how to decolonize the museum.[1] You are affiliated with the Institute of Cultural Inquiry (ICON) at Utrecht University and you are part of the advisory board of the Museum of Equality and Difference (MOED). Speaking from this position, what do you consider to be the urgent issues that Dutch art institutions should deal with today?
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