将拉帕伊葛林蓬重新诠释为“瑞提夫”音乐作品

Yaftopramana Yaftopramana
{"title":"将拉帕伊葛林蓬重新诠释为“瑞提夫”音乐作品","authors":"Yaftopramana Yaftopramana","doi":"10.24821/asctij.v1i1.10170","DOIUrl":null,"url":null,"abstract":"\"Ritif\" is a work of karawitan music composition that departs from the Canang game precisely in the rukun or act of Behavior in the art of Rapai Geurimpheng. \"Ritif\" consists of several syllables, of which \"Ri\" is a syllable taken from \"Rhythm\", rhythm; is an orderly rush of steps usually called rhythmic steps. While \"Tif\" is an abbreviation of the word chosen from the word \"Attractive\", attractive is attraction or analogous to something that is played happily. This means that the word \"Ritif\" in this work is analogous to a form of expression or application of items that are played attractively, this is clearly seen in the art of Rapai Geurimpheng which is contained in the fourth act chosen by the artist as the basis of the work. The focus of the work is the spirit contained in the Canang game in the Behavior round, the spirit here is an element that underlies the spirit, soul and spirit values contained in humans through aspects of togetherness in community life. The spirit of this \"Ritif\" work will be actualized through working material and the use of musical techniques or terms such as changes in dynamics, changes in tempo, and changes in accentuation. This work was worked on using a reinterpretation approach, by making three Canang playing motifs as working materials through rapai, djembe, floor, cymbal, hyhat, seurune kale, bass guitar, coconut shells, and vocals as sound expression media.","PeriodicalId":395629,"journal":{"name":"Art, Science, Culture, and Technology of Indonesian Journal","volume":"41 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reinterpretation of Rapa'i Geurimpeng into \\\"Ritif\\\" Musical Composition\",\"authors\":\"Yaftopramana Yaftopramana\",\"doi\":\"10.24821/asctij.v1i1.10170\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\\"Ritif\\\" is a work of karawitan music composition that departs from the Canang game precisely in the rukun or act of Behavior in the art of Rapai Geurimpheng. \\\"Ritif\\\" consists of several syllables, of which \\\"Ri\\\" is a syllable taken from \\\"Rhythm\\\", rhythm; is an orderly rush of steps usually called rhythmic steps. While \\\"Tif\\\" is an abbreviation of the word chosen from the word \\\"Attractive\\\", attractive is attraction or analogous to something that is played happily. This means that the word \\\"Ritif\\\" in this work is analogous to a form of expression or application of items that are played attractively, this is clearly seen in the art of Rapai Geurimpheng which is contained in the fourth act chosen by the artist as the basis of the work. The focus of the work is the spirit contained in the Canang game in the Behavior round, the spirit here is an element that underlies the spirit, soul and spirit values contained in humans through aspects of togetherness in community life. The spirit of this \\\"Ritif\\\" work will be actualized through working material and the use of musical techniques or terms such as changes in dynamics, changes in tempo, and changes in accentuation. This work was worked on using a reinterpretation approach, by making three Canang playing motifs as working materials through rapai, djembe, floor, cymbal, hyhat, seurune kale, bass guitar, coconut shells, and vocals as sound expression media.\",\"PeriodicalId\":395629,\"journal\":{\"name\":\"Art, Science, Culture, and Technology of Indonesian Journal\",\"volume\":\"41 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-07-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art, Science, Culture, and Technology of Indonesian Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24821/asctij.v1i1.10170\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art, Science, Culture, and Technology of Indonesian Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24821/asctij.v1i1.10170","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

“Ritif”是卡拉维坦音乐作品,在Rapai Geurimpheng艺术的rukun或行为行为中与Canang游戏完全不同。“Ritif”由几个音节组成,其中“Ri”是取自“Rhythm”(节奏)的一个音节;是一种有序的步伐,通常称为有节奏的步伐。“Tif”是“Attractive”这个词的缩写,而“Attractive”是指吸引或类似于愉快地玩耍的东西。这意味着作品中的“Ritif”一词类似于一种表达形式或物品的应用,这在Rapai Geurimpheng艺术中可以清楚地看到,这包含在艺术家选择的第四幕中,作为作品的基础。作品的重点是行为回合中的Canang游戏所包含的精神,这里的精神是一种元素,通过社区生活中的团结方面,构成人类精神,灵魂和精神价值观的基础。这个“Ritif”作品的精神将通过工作材料和音乐技术或术语的使用来实现,例如动态的变化,速度的变化和重音的变化。作品采用了重新诠释的方式,以rapai、djembe、floor、cymbal、hyhat、seurune kale、bass吉他、椰子壳、人声作为声音表达媒介,以三种迦南演奏母题为创作素材。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reinterpretation of Rapa'i Geurimpeng into "Ritif" Musical Composition
"Ritif" is a work of karawitan music composition that departs from the Canang game precisely in the rukun or act of Behavior in the art of Rapai Geurimpheng. "Ritif" consists of several syllables, of which "Ri" is a syllable taken from "Rhythm", rhythm; is an orderly rush of steps usually called rhythmic steps. While "Tif" is an abbreviation of the word chosen from the word "Attractive", attractive is attraction or analogous to something that is played happily. This means that the word "Ritif" in this work is analogous to a form of expression or application of items that are played attractively, this is clearly seen in the art of Rapai Geurimpheng which is contained in the fourth act chosen by the artist as the basis of the work. The focus of the work is the spirit contained in the Canang game in the Behavior round, the spirit here is an element that underlies the spirit, soul and spirit values contained in humans through aspects of togetherness in community life. The spirit of this "Ritif" work will be actualized through working material and the use of musical techniques or terms such as changes in dynamics, changes in tempo, and changes in accentuation. This work was worked on using a reinterpretation approach, by making three Canang playing motifs as working materials through rapai, djembe, floor, cymbal, hyhat, seurune kale, bass guitar, coconut shells, and vocals as sound expression media.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信