多层意义:澳大利亚维多利亚州的多元文化音乐教育

Jane Southcott, Dawn Joseph
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引用次数: 1

摘要

本文探讨了当代澳大利亚多元文化的维多利亚州,通过文化认同和个人认同的形成来看待音乐教育。这个州的人民来自280多个国家,说240多种语言,有120多种信仰。我们的人口多样性在不断变化,这对音乐教育工作者提出了挑战,要求他们对课堂人口结构做出反应,而作为高等教育工作者,我们要让我们的职前学生成为对文化有反应的教师。作为音乐教育者,我们占据并处于多重身份中,这些身份塑造了我们体验和理解音乐及其传播的方式。作为澳大利亚高等教育的音乐教育者,我们探索职前教师的文化认同、态度和价值观,将多元文化音乐纳入课堂,在课堂上,文化对话为构建意义提供了平台。当边缘化和多样性以多方面的形式出现时,我们会问:在当代维多利亚时代的学校里,我们呈现的是什么音乐?我们为什么要做出这些选择?我们如何呈现这种音乐?这种考虑,在课程框架的背景下,解决了机会、公平和社区参与的问题。在共同的文化经验中意义的形成有助于身份的形成,身份是一个流动的、多层次的结构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Many layers of meaning: Multicultural music education in Victoria, Australia
This paper explores music education viewed through lenses of cultural identity and the formation of personal identity in contemporary, multicultural Victoria, Australia. The people of this state come from more than 280 countries, speak more than 240 languages and follow more than 120 faiths. Our population diversity is constantly changing which challenges music educators to respond to classroom demographics and as tertiary educators we prepare our pre-service students to become culturally responsive teachers. As music educators, we occupy and are situated in multiple identities that shape the ways in which we experience and understand music and its transmission. As Australian tertiary music educators, we explore pre-service teacher cultural identity, attitudes and values about the inclusion of multicultural music in the classroom where cultural dialogue provides a platform for the construction of meaning. While marginalization and diversity occurs within multifaceted forms, we question: What music do we present in contemporary Victorian schools? Why do we make these choices? How do we present this music? This consideration, contextualized within the curricular framework, addresses issues of access, equity and community engagement. The making of meaning in shared cultural experiences contributes to the formation of identity which is a fluid and multilayered construct.
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