主体/活体:克里斯托斯与马哈代·达斯的抵抗诗学

G. Macdonald
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引用次数: 1

摘要

最近的批评考虑了文学文本如何在身体的表现中利用历史和意识形态的力量。然而,这些学术研究大多集中在西方医学、后人类技术或殖民种族理论等霸权结构上。本文检视两位美洲诗人──北美原住民Chrystos (Menominee)与圭亚那的Mahadai Das──如何站在边缘化的立场,表达身体的表征,以强调个人主体性与社会转型之间的关联。我将身体作为创作抵抗诗的主题,将欲望、不满、性和哀悼与去殖民化直接联系起来。我进行精读,强调亲密关系和社会运动之间的联系。克里斯托斯和达斯谈到了后殖民研究中个人和政治之间的结构性分歧,即所谓的抵抗文学。这些诗人在鼓励沉思和复杂性的比喻背景下,将深刻的个人视角集中在去殖民主义斗争上,为解决性别、反种族主义、性别多样性和过去几十年的其他运动的抵抗理论的多样化做出了贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Subject/ive bodies: the resistance poetics of Chrystos and Mahadai Das
Recent criticism has considered how literary texts harness historical and ideological forces in the representation of the body. However, much of that scholarship focuses on hegemonic structures such as Western medicine, post-human technologies or colonial race theories. This article looks at how two poets from the Americas – Indigenous North American Chrystos (Menominee) and Mahadai Das from Guyana – express representations of the body from a position of marginalisation to emphasise the connections between individual subjectivity and social transformation. I discuss the body as theme for producing a resistance poetry that directly connects desire, disaffection, sexuality and mourning to decolonisation. I perform close readings that emphasise the linkages between intimate relations and social movements. Chrystos and Das speak to a constitutive divide in post-colonial studies between the personal and political in what is called resistance literature. By centring deeply personal perspectives on decolonial struggle within a figurative context that encourages contemplation and complexity, these poets contribute to a diversification of resistance theory that addresses gender, anti-racist, sexual diversity and other movements of the last few decades.
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