Petra Doma
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引用次数: 0

摘要

明治维新后,西方文化涌入日本。这种影响不仅改变了政治、经济和社会生活,而且对人们的日常生活造成了巨大的冲击。占绝对主导地位的传统日本戏剧,歌舞伎也不例外。起初,歌舞伎计划进行改革,以应对新的挑战,但最终无法更新。此外,一种新的戏剧类型在19世纪80年代诞生,它将自己定义为与歌舞伎相对立的。这种新流派被称为“新派”,运用了几种现代技巧,因此在观众中非常受欢迎。本研究聚焦于20世纪初歌舞伎与神道的生动竞争,甚至是“战斗”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A hagyományos kabuki és a shinpa háborúja a 19–20. század fordulóján
After the Meiji restoration 明治維新 (1868), Western culture flooded intoJapan. This effect not only changed the political, economical and social lifebut also caused an enormous shock in people’s everyday life. The absolutelydominant and traditional Japanese theatre, the kabuki was no exception tothis tendency either. At the beginning kabuki was planned to be reformed inorder to cope with the new challenges, but eventually it could not be renewed.In addition, a new theatrical genre was born in the 1880’s, which defined itself in opposition to kabuki. The new school, called shinpa, applied severalmodern techniques, therefore it became extremely popular with the audience.This study focuses on the vivid competition, or even ‘battle’, of the kabukiand shinpa at the beginning of the 20th century.
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