后种族隔离时代的新南非城市:宪法的“胜利”?

Becky L. Jacobs
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引用次数: 3

摘要

玛琳·范·尼克尔克在她无情的讽刺小说《胜利》中,讲述了南非第一次民主选举前夕,一个贫困的南非白人家庭的压迫性日常生活。小说充满了阿非利卡人的历史和政治,揭示了种族隔离制度对白人下层阶级的悲剧性影响,粉碎了阿非利卡人至上的神话。凯旋夫错综复杂的寓言叙事残酷地揭露了白人优越意识形态的失败。它也可以作为种族隔离后的南非的一个警世故事,提醒人们注意创造、不断加强和维持社会神话以及对补救和救赎的期望所固有的危险。雅各布斯教授根据她与珍妮·惠塔尔(Jenny Whittal)的研究,在种族隔离时代的南非以及后种族隔离城市中新南非宪法承诺的土地改革的背景下,探讨了范·尼克尔克的虚构形象及其转喻。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Post-Apartheid City in the New South Africa: A Constitutional 'Triomf'?
In her mercilessly satiric novel Triomf, Marlene van Niekerk recounts the oppressive daily lives of an impoverished family of White Afrikaners on the eve of South Africa's first democratic elections. Imbued with Afrikaner history and politics, the novel reveals the ironically tragic effect of Apartheid on the White underclass and ravages the myth of Afrikaner supremacy. Triomf's intricate allegorical narrative brutally exposes the failure of the ideology of White superiority. It also may serve as a cautionary tale for the post-Apartheid South Africa, a reminder of the dangers inherent in creating, continually reinforcing, and sustaining societal myths and expectations of redress and redemption. Based upon her research with Jenny Whittal, Professor Jacobs explores van Niekerk's fictional imagery and its metonymy in the context of the Apartheid Era South Africa and of the new South Africa's Constitutional promise of land reform in the post-Apartheid city.
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