{"title":"马丁·德沃斯(Martin de vos)在16世纪末对欧洲文化中孤独和隐居的话题感兴趣的背景下绘制的“隐士”","authors":"N. Y. Markova","doi":"10.28995/2686-7249-2023-1-129-142","DOIUrl":null,"url":null,"abstract":"The article links the drawing of Martin de Vos (inv. R-7200), in the Pushkin State Museum of Fine Arts, with the engraving for which it was a modello. This allows us to identify the hermit as St. Bavo and to date the drawing 1593–1594, thus correcting the previous proposals of 1585/86 or about 1600. The Moscow sheet is one of about 120 drawings created by M. de Vos for five series of engravings depicting pious hermits, which indicates a great interest in this topic at that time Consideration of these series and their further functions reveals their connection with the world of Catholic Europe, the ideas of the Counter-Reformation and the teachings of Ignatius Loyola, which revived the cult of the holy hermits and preached solitude, for reflection and prayer, as a way towards spiritual improvement in accordance with Christian values.","PeriodicalId":124543,"journal":{"name":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","volume":"37 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"MARTIN DE VOS’ DRAWING “THE HERMIT” IN THE CONTEXT OF INTEREST IN THE TOPIC OF SOLITUDE AND SECLUSION IN EUROPEAN CULTURE AT THE END OF THE 16TH CENTURY\",\"authors\":\"N. Y. Markova\",\"doi\":\"10.28995/2686-7249-2023-1-129-142\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article links the drawing of Martin de Vos (inv. R-7200), in the Pushkin State Museum of Fine Arts, with the engraving for which it was a modello. This allows us to identify the hermit as St. Bavo and to date the drawing 1593–1594, thus correcting the previous proposals of 1585/86 or about 1600. The Moscow sheet is one of about 120 drawings created by M. de Vos for five series of engravings depicting pious hermits, which indicates a great interest in this topic at that time Consideration of these series and their further functions reveals their connection with the world of Catholic Europe, the ideas of the Counter-Reformation and the teachings of Ignatius Loyola, which revived the cult of the holy hermits and preached solitude, for reflection and prayer, as a way towards spiritual improvement in accordance with Christian values.\",\"PeriodicalId\":124543,\"journal\":{\"name\":\"RSUH/RGGU Bulletin. \\\"Literary Theory. Linguistics. Cultural Studies\\\" Series\",\"volume\":\"37 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RSUH/RGGU Bulletin. \\\"Literary Theory. Linguistics. Cultural Studies\\\" Series\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.28995/2686-7249-2023-1-129-142\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RSUH/RGGU Bulletin. \"Literary Theory. Linguistics. Cultural Studies\" Series","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.28995/2686-7249-2023-1-129-142","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章将普希金国家美术博物馆收藏的马丁·德·沃斯(Martin de Vos,公元7200年)的画作与作为模特的雕刻作品联系起来。这使我们能够确定这位隐士是圣巴沃,并将这幅画的年代定为1593年至1594年,从而纠正了之前提出的1585/86年或大约1600年的建议。莫斯科的这张是德·沃斯先生为五个描绘虔诚隐士的系列版画创作的约120幅画中的一幅,这表明当时人们对这一主题非常感兴趣,考虑到这些系列和它们的进一步功能,就会发现它们与天主教欧洲的世界、反宗教改革的思想和依纳爵·罗约拉的教义之间的联系,罗约拉复兴了对神圣隐士的崇拜,提倡独处,进行反思和祈祷。作为一种与基督教价值观相一致的精神进步之路。
MARTIN DE VOS’ DRAWING “THE HERMIT” IN THE CONTEXT OF INTEREST IN THE TOPIC OF SOLITUDE AND SECLUSION IN EUROPEAN CULTURE AT THE END OF THE 16TH CENTURY
The article links the drawing of Martin de Vos (inv. R-7200), in the Pushkin State Museum of Fine Arts, with the engraving for which it was a modello. This allows us to identify the hermit as St. Bavo and to date the drawing 1593–1594, thus correcting the previous proposals of 1585/86 or about 1600. The Moscow sheet is one of about 120 drawings created by M. de Vos for five series of engravings depicting pious hermits, which indicates a great interest in this topic at that time Consideration of these series and their further functions reveals their connection with the world of Catholic Europe, the ideas of the Counter-Reformation and the teachings of Ignatius Loyola, which revived the cult of the holy hermits and preached solitude, for reflection and prayer, as a way towards spiritual improvement in accordance with Christian values.