Rifa Nurafia, L. Tjahjandari
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摘要

骗局成为一种形成和形成的社会现象。这种描述导致骗局在社会空间中运作。在Mahfud Ikhwan的小说《Dawuk Kisah Kelabu Dari Rumbuk Randu》中,恶作剧表明有一种有组织的努力将舆论引向挑衅。农村社会空间成为社会资本存在诸多差异的可能场域。本文将探讨文本叙事中的恶作剧策略如何表现出农村社会空间的功能,以捍卫自己的立场。本研究旨在展示社会空间作为恶作剧形成的场所。本文采用的方法是基于布迪厄理论的描述性分析方法。研究结果表明,社交空间被一个名叫Warto Kemplung的恶作剧传播者利用挑衅性语言作为防御场所。社会空间成为了Warto Kemplung改变立场以影响Rumbuk Randu村人民的地方。最新话题语言和反应性语言的使用策略展示了Warto Kemplung作为语言资本所拥有的口语生产的画面。Warto Kemplung的存在也表明,乡村空间和咖啡馆作为社会舞台的存在,是任何人都可以填补以保持地位的自由领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hoax narrative construction in the social space of rumbuk randu village in the Mahfud Ikhwan’s novel of Dawuk kisah kelabu dari rumbuk randu (2017)
Hoax becomes a social phenomenon that is formed and formed. This description causes hoaxes to operate in the social space. In the novel Dawuk Kisah Kelabu Dari Rumbuk Randu by Mahfud Ikhwan, hoaxes show that there is a structured effort that leads opinion to provocation. Rural social space becomes a possible field with many differences in capital in society. In this article will explore how hoax strategies in text narratives show rural social spaces that function to defend one's position. This study aims to show social space as a place for hoaxe’s formation. The method used is descriptive analysis method with the theory of Arena Pierre Bourdieu. The findings show that social space is used as a place of defense for a hoax-spreading agent named Warto Kemplung by using provocative language. The social space became the place where Warto Kemplung changed positions to influence the people in the village of Rumbuk Randu. The strategy with the latest topic language and the use of responsive language shows a picture of the production of oral speech as a language capital owned by Warto Kemplung. The existence of Warto Kemplung also shows the existence of village spaces and coffee shops as arenas in society as free fields anyone fill to maintain a position.
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