识别

Barbara B. Heyman
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引用次数: 0

摘要

本章描述了巴伯与意大利指挥家托斯卡尼尼的亲密关系。巴伯经常到指挥家拜访,大多数日子都以音乐结束。这种友谊导致托斯卡尼尼要求巴伯为新成立的NBC交响乐团写一首作品。这是一种难得的特权,因为托斯卡尼尼过去一直忽视美国作曲家。他的广播受到观众的热烈欢迎。托斯卡尼尼将巴伯的音乐带到拉丁美洲,进一步推动了巴伯的职业生涯,巴伯是第一位将作品传到拉丁美洲的美国作曲家。巴伯为托斯卡尼尼创作了《管弦散文》,并将他早期弦乐四重奏的第二乐章改编为《弦乐慢板》,这使他在国际上享有盛名,并成为美国的国家葬礼音乐,与爱因斯坦、富兰克林·罗斯福和格蕾丝·凯利等名人的死亡以及2001年9月11日的悲剧联系在一起。本章还包括巴伯的无伴奏合唱作品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Recognition
This chapter describes Barber’s close relationship with Italian conductor Arturo Toscanini. Barber would frequently visit the conductor in his home, most days ending with music. This friendship resulted in Toscanini requesting that Barber write a work for the newly formed NBC Symphony Orchestra. This was a rare privilege, as Toscanini in the past had ignored American composers. His broadcasts were received with much enthusiasm from audiences. Toscanini further advanced Barber’s career by bringing his music to Latin America, with Barber being the first American composer whose work reached those shores. For Toscanini, Barber composed Essay for Orchestra and arranged the second movement of his earlier string quartet as the Adagio for Strings, which brought him international fame and became, as it were, the national funeral music of the United States, associated with the deaths of such famous names as Albert Einstein, Franklin Roosevelt, and Grace Kelly and with the tragedy of September 11, 2001. The chapter also covers Barber’s unaccompanied choral works.
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