{"title":"La Festa del Pane:食物,奉献和民族认同,圣弗朗西斯科迪保拉的盛宴,多伦多","authors":"Enrico Carison Cumbo","doi":"10.2752/152897900786732781","DOIUrl":null,"url":null,"abstract":"Abstract Every year, on the third Sunday of May, the Sicilian Salemi community in Toronto holds a religious festa in honor of San Francesco di Paola. On average, the celebration attracts five to six thousand people and includes a special Mass and panegyrics followed by a street procession of the saint's statue, a life size-figure draped in ribbons pinned with money as votive offerings. The statue is accompanied by a musical band, church and committee officials, society standard bearers, Third Order members, and other devotees. The event is a fairly typical Italian immigrant festa except for two central, unique features, both associated with food: i.e., the pietanze meal just prior to Mass, involving the ritual feeding of thirteen children in a tent enclosure adjacent to the church and the nearby display of a spectacular “chapel” or shrine (the cena) covered entirely in oranges, lemons and ornately shaped breads of every size. This paper examines this feast, and its food associations in particular, as a religious and ethnic evenet. Food, of course, is about more than taste and nutrition. It is also, as Roland Barthes writes, “a system of communication, a body of images, a protocol of usages, situations, and behavior.” The preparation, display and distribution select foods in the San Francesco di Paola feast have symbolic importance as conduits of social, religious, and cultural meaning. The same is said about the Salernitan immigrants' sense of themselves as Catholics and as Sicilian- and Italian-Canadians in modern-day Tornoto. The annual, public reenactment of the festa, now approaching its thirtieth year, highlights the significance placed on the presentation of communal (regional, national, and religious) identity. This is manifest especially in the symbology and rituals surrounding the display and distribution of the feast's most striking features–the pietanze meal and the cena breads.","PeriodicalId":285878,"journal":{"name":"Journal for the Study of Food and Society","volume":"85 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2000-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"La Festa del Pane: Food, Devotion and Ethnic Identity, The Feast of San Francesco di Paola, Toronto\",\"authors\":\"Enrico Carison Cumbo\",\"doi\":\"10.2752/152897900786732781\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Every year, on the third Sunday of May, the Sicilian Salemi community in Toronto holds a religious festa in honor of San Francesco di Paola. On average, the celebration attracts five to six thousand people and includes a special Mass and panegyrics followed by a street procession of the saint's statue, a life size-figure draped in ribbons pinned with money as votive offerings. The statue is accompanied by a musical band, church and committee officials, society standard bearers, Third Order members, and other devotees. The event is a fairly typical Italian immigrant festa except for two central, unique features, both associated with food: i.e., the pietanze meal just prior to Mass, involving the ritual feeding of thirteen children in a tent enclosure adjacent to the church and the nearby display of a spectacular “chapel” or shrine (the cena) covered entirely in oranges, lemons and ornately shaped breads of every size. This paper examines this feast, and its food associations in particular, as a religious and ethnic evenet. Food, of course, is about more than taste and nutrition. It is also, as Roland Barthes writes, “a system of communication, a body of images, a protocol of usages, situations, and behavior.” The preparation, display and distribution select foods in the San Francesco di Paola feast have symbolic importance as conduits of social, religious, and cultural meaning. The same is said about the Salernitan immigrants' sense of themselves as Catholics and as Sicilian- and Italian-Canadians in modern-day Tornoto. The annual, public reenactment of the festa, now approaching its thirtieth year, highlights the significance placed on the presentation of communal (regional, national, and religious) identity. 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引用次数: 4
摘要
每年5月的第三个星期日,多伦多西西里的萨莱米社区都会举行宗教节日,以纪念圣弗朗西斯科·迪·保拉。平均而言,庆祝活动会吸引五到六千人,其中包括一场特别的弥撒和颂词,随后是圣徒雕像的街头游行,一个真人大小的人物身上披着丝带,上面别着作为祭品的钱。雕像由乐队、教堂和委员会官员、社会旗手、第三秩序成员和其他奉献者陪同。这个活动是一个相当典型的意大利移民节日,除了两个独特的中心特征,都与食物有关:即,弥撒前的pietanze餐,包括在教堂附近的帐篷里为13个孩子提供仪式性的食物,以及附近一个壮观的“小教堂”或神龛(cena)的展示,上面完全覆盖着橙子、柠檬和形状各异的华丽面包。本文考察了这个节日,特别是它的食物协会,作为一个宗教和民族事件。当然,食物不仅仅是味道和营养。正如罗兰·巴特(Roland Barthes)所写,它也是“一种交流系统,一组图像,一套用法、情境和行为的协议。”在San Francesco di Paola盛宴中,准备、展示和分发精选食物作为社会、宗教和文化意义的管道具有象征意义。同样的道理也适用于萨尔勒尼移民,他们认为自己是天主教徒,是西西里和意大利裔加拿大人。一年一度的公开重演的节日,现在接近其第三十个年头,强调了对社区(地区,国家和宗教)身份的重要性。这在象征和仪式上表现得尤为明显,围绕着节日最引人注目的特征——pietanze餐和cena面包的展示和分发。
La Festa del Pane: Food, Devotion and Ethnic Identity, The Feast of San Francesco di Paola, Toronto
Abstract Every year, on the third Sunday of May, the Sicilian Salemi community in Toronto holds a religious festa in honor of San Francesco di Paola. On average, the celebration attracts five to six thousand people and includes a special Mass and panegyrics followed by a street procession of the saint's statue, a life size-figure draped in ribbons pinned with money as votive offerings. The statue is accompanied by a musical band, church and committee officials, society standard bearers, Third Order members, and other devotees. The event is a fairly typical Italian immigrant festa except for two central, unique features, both associated with food: i.e., the pietanze meal just prior to Mass, involving the ritual feeding of thirteen children in a tent enclosure adjacent to the church and the nearby display of a spectacular “chapel” or shrine (the cena) covered entirely in oranges, lemons and ornately shaped breads of every size. This paper examines this feast, and its food associations in particular, as a religious and ethnic evenet. Food, of course, is about more than taste and nutrition. It is also, as Roland Barthes writes, “a system of communication, a body of images, a protocol of usages, situations, and behavior.” The preparation, display and distribution select foods in the San Francesco di Paola feast have symbolic importance as conduits of social, religious, and cultural meaning. The same is said about the Salernitan immigrants' sense of themselves as Catholics and as Sicilian- and Italian-Canadians in modern-day Tornoto. The annual, public reenactment of the festa, now approaching its thirtieth year, highlights the significance placed on the presentation of communal (regional, national, and religious) identity. This is manifest especially in the symbology and rituals surrounding the display and distribution of the feast's most striking features–the pietanze meal and the cena breads.