意义(g):约瑟夫·康拉德《那喀索斯的黑鬼》中他者的种族化

V. Osei-Bonsu
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摘要

本文考察了康拉德的中篇小说《那喀索斯的黑鬼》是如何通过象征过程揭示其主人公詹姆斯·韦特的他者性。虽然文章本身旨在激发人们对男性行为背后动机的探究,但在标题中暗示性地使用“n”这个词以及其主角是非裔这一事实,使种族与人类负面属性之间隐含的相关性出现了问题。在我的分析中,我以两种方式使用了所指的概念。首先,我借鉴了意义的语言学概念,它是以符号的存在为前提的,符号由两个不可分割的方面组成:能指和所指。其次,我使用非裔美国人文学话语中所阐述的所指概念(Gates, Jr., 1986)来描述各种口头仪式,这些仪式导致修辞谈判,为身份和普遍归属的构建提供信息。我认为,这两种所指的概念结合起来,通过对人物个人属性的持续关注,在康拉德的文本中构建了一个种族的他者。我进一步断言,这些符号化过程将与之同名的“黑鬼”詹姆斯·韦特(James Wait)塑造为种族他者,他被定位为叙事的知识、权力和批评对象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Signifyin(g): Racialising the Other in Joseph Conrad’s The Nigger of the Narcissus
This paper examines how Conrad’s novella The Nigger of the Narcissus discloses a representation of Otherness of its main character, James Wait, through processes of signifying. While the text itself purports to provoke an inquiry into the motivations behind the actions of men, the suggestive use of the N-word in its title and the fact that its main character is of African descent problematises the correlation implied between race and negative human attributes. In my analysis, I use the notion of signifying in two ways. First, I draw on the linguistic notion of signification which is predicated on the existence of the sign consisting of two inseparable aspects: the signifier and the signified. Secondly, I use the concept of signifying as it has been expounded within African-American literary discourse (Gates, Jr., 1986) to describe a variety of verbal rituals resulting in rhetorical negotiations that inform constructions of identity and universal belonging. I posit that both these notions of signifying combine to construct a racial Other in Conrad’s text through a sustained focus on the character’s personal attributes. I further assert that these signifying processes cast the eponymous ‘nigger’, James Wait, as the racial Other who is positioned as the narrative’s object of knowledge, power and criticism.
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