论重写本:如何将这一概念应用于翻译研究。纪念格姆拉德·热内特(1930-2018)

Hans-Harry Drößiger
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引用次数: 4

摘要

本文为纪念于2018年5月11日去世的格姆拉德·热内特而写。这篇文章的目的是为了纪念这位著名的法国学者和文学研究者的作品《重写集》。考虑到人类历史上几乎每一个文本都至少有一个文本预先存在这一事实,他展示了多种方法来处理创造文本的不同方法。通过解释如何从旧文本创建新文本的大量实例,Genette能够提出一种系统的方法来处理所有这些变化,这些变化是由重写的概念所涵盖的,或者是从次文本创建超文本的重写过程。在这一概念的基础上,本文的基本思想是寻求将重写本概念应用于翻译研究的途径。特别是近二十年来,翻译研究的学者们一直在抱怨学者们使用的术语数量惊人,而且在术语方面几乎没有共识存在或即将形成。本文中概述的观点将超出人们的鼻子,因为人们理所当然地认为,在邻近的研究领域和学术职业中,一些合理的观念已经发展起来,值得研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On Palimpsests: How to Use this Concept for Translation Studies. In Memoriam Gérard Genette (1930-2018)
This article was written in memoriam Gérard Genette who died on May 11, 2018. The purpose of this article is to honor the work Palimpsests by this famous French scholar and researcher into literature. He has shown manifold ways to deal with different methods of creating a text considering the fact that to almost every text in the history of mankind at least one text preexists. By explaining a huge number of instances how from an older text a newer one can be created, Genette was able to present a systematic approach to all these changes covered by the concept of palimpsest or palimpsestic processes of creating a hypertext from a hypotext. On this concept grounds the basic idea of this article to seek for ways to make the concept of palimpsest applicable to translation studies. This is especially due to the fact that for almost two decades now scholars in translation studies have been complaining about the horribly immense number of terms that are in use amongst the scholars and that almost no consensus in terminology exists or was about to come into life. The positions outlined in this article are about to see beyond one’s nose because it shall be taken for granted that in neighboring research areas and scholarly occupations some well reasoned notions were developed, which are worth to be studied.
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