{"title":"“个人(包括女性)”业务早期俄罗斯电影中的女性电影专业人士","authors":"A. Kovalová","doi":"10.2979/filmhistory.34.2.05","DOIUrl":null,"url":null,"abstract":"ABSTRACT:The documents published here shed light on some of the female film profes sionals in prerevolutionary Russia and aspects of their work. These documents are varied in form (a portrait, an article, a photograph, etc.), and each of them represents a certain cinema profession: a distributor and a producer, a screenwriter and a journalist, an assis tant director and an editor. Different case studies presented in this piece fill in some gaps in early cinema history and open a perspective for further research on women film pioneers.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Business for \\\"Individuals (Women Included)\\\": Women Film Professionals in Early Russian Cinema\",\"authors\":\"A. Kovalová\",\"doi\":\"10.2979/filmhistory.34.2.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:The documents published here shed light on some of the female film profes sionals in prerevolutionary Russia and aspects of their work. These documents are varied in form (a portrait, an article, a photograph, etc.), and each of them represents a certain cinema profession: a distributor and a producer, a screenwriter and a journalist, an assis tant director and an editor. Different case studies presented in this piece fill in some gaps in early cinema history and open a perspective for further research on women film pioneers.\",\"PeriodicalId\":426632,\"journal\":{\"name\":\"Film History: An International Journal\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film History: An International Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/filmhistory.34.2.05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film History: An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/filmhistory.34.2.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Business for "Individuals (Women Included)": Women Film Professionals in Early Russian Cinema
ABSTRACT:The documents published here shed light on some of the female film profes sionals in prerevolutionary Russia and aspects of their work. These documents are varied in form (a portrait, an article, a photograph, etc.), and each of them represents a certain cinema profession: a distributor and a producer, a screenwriter and a journalist, an assis tant director and an editor. Different case studies presented in this piece fill in some gaps in early cinema history and open a perspective for further research on women film pioneers.