通过“污染的爆发”来厌恶疾病

S. Yu
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摘要

厌恶是一种为了躲避病原体而产生的感觉。它被发展成一种避免疾病的本能。然而,这仅限于“疾病”。玛莎·努斯鲍姆将厌恶分为两部分:“原始厌恶”和“投射厌恶”。对原始对象的憎恨被称为“原始厌恶”,将人或群体从原始对象扩展到其他对象并将其视为有害和危险的“污染源”被称为“投射性厌恶”。本研究旨在通过石眼美智子的小说《悲海天堂》探讨日本代表性的污染疾病,如水俣病,来探讨疾病厌恶问题。这本书在很多方面都是一部不朽的作品,包括污染文学、记录文学、妇女文学和生态文学。通过这次回顾,我在文中确认了“厌恶”情绪是如何在个体内部运作的,它是如何转移的,以及它是如何扩展到群体和群体之间的。我想通过这个揭示的是水俣人是“可以被恨的人”。我想石眼会想在《水俣》中重写这个故事,然后重新开始。《悲伤海中的天堂》可以被确立为一部“反仇恨小说”,通过揭露社会的耻辱和厌恶,抵制刻板印象、偏见和歧视。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Disease Disgust Through ‘the Ursprung of Pollution’
Disgust is a sensation developed to avoid pathogens. It is developed as an instinct to avoid disease. However, this is limited to ‘disease’. Martha Nussbaum divides aversion into two parts: ‘original disgust’ and ‘projective disgust’. The hatred of the original objects was called ‘original disgust’ and the expansion of people or groups from the original to other objects and considering them as harmful and dangerous ‘pollution sources’ was called ‘projective disgust.’ This study aimed to examine the problem of disease aversion through Ishimure Michiko's novel “Paradise in the Sea of Sorrow” which deals with Japan's representative pollution diseases such as Minamata disease. This text is a monumental work in many ways, including pollution literature, record literature, women's literature, and ecological literature. Through this review, I confirmed in the text how the emotion of “disgust” works within the individual, how it is transferred, and how it expands to group and group to group. What I wanted to reveal through this was the Minamata people as ‘being who is okay to hate’. I think Ishimure would have liked to rewrite the story in Minamata, in “the ursprung” and start again. “Paradise in the Sea of Sorrow” can be established as an “anti-hate novel” that resists stereotypes, prejudice, and discrimination by revealing social stigma and disgust.
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