迪士尼动画电影《ecanto》(2019)对女性身份的刻画

Agustin Diana Wardaniningsih, E. W. Kasih
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引用次数: 4

摘要

迪斯尼的动画电影不仅提供娱乐,而且在其中传递信息。大多数迪斯尼动画电影的目标观众是儿童。包含每一条信息的说服元素将是孩子在现实生活中的角色塑造之一,包括电影如何在孩子身上形成性别认同,影响他们的人生发展。迪士尼的动画电影之一是《Encanto》,于2021年上映。本研究的目的是描述Encanto电影中人物的道德价值观,特别是观察这部电影中所描绘的女性的身份。研究方法采用定性叙事方法分析Encanto电影。本研究采用霍尔的再现理论和梅斯的符号学分析方法,即电影符号学。通过批判范式,这个MAS是定性解释性的。一种将符号和文本作为研究对象的方法,以及研究人员如何解释和理解符号和文本背后的代码(解码)。这项研究揭示了电影《Encanto》中主角米拉贝尔的女性身份。这种身份主要来自刻板的米拉贝尔女性身份。在《恩坎托》电影中,其他边缘化、从属、权力和工作量将米拉贝尔的女性身份与男性身份区分开来
本文章由计算机程序翻译,如有差异,请以英文原文为准。
DELINEATION OF WOMEN IDENTITY IN THE DISNEY ANIMATED FILM ECANTO (2019)
Disney's animated films is produced not only to provide entertainment but also to deliver messages in it. Most Disney animated films have a target audience of children. The element of persuasion that includes every message will be one of children's character-building in real life, including how the film constitutes gender identity in children, which will affect the development of their lives. One of Disney's animated films is Encanto film which was released in 2021. The purpose of this research is to describe the moral values of the characters in Encanto film, especially observing the identity of the women depicted in this film. The research method uses a qualitative narrative approach to analyze Encanto film. This study uses Stuart Hall's representation theory and Christian Metz's Semiotic Analysis Method (MAS), or cinematographic semiotics. By the critical paradigm, this MAS is qualitatively interpretive. A method that focuses on signs and texts as objects of study and how researchers interpret and understand the code (decoding) behind the signs and texts. The study revealed the women's identity on the main character, Mirabel in the film Encanto. This identity is mainly found from the stereotypical Mirabel identity as a woman. The other marginalization, subordination, power, and workload differentiate Mirabel’s identity as a woman from men in Encanto film
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