劳拉·简·利比和《变性

D. Bauer
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引用次数: 0

摘要

在第七章中,戴尔·鲍尔描绘了世纪之交的通俗小说家劳拉·简·利比在其致力于女性浪漫和独立的小说中对过渡现代主义的创新。虽然今天鲜为人知,但利比的连载小说非常受欢迎,经常被改编成电影。利比的小说在19世纪晚期的女权主义和现代新女性小说之间架起了一座桥梁。这些小说的结尾往往是立即进行脑部手术和几乎立即康复,嫁给更高的社会阶层,追求者的竞争对手被这些女性的痛苦和痛苦以及她们的超越所击败。利比的许多小说描绘了女性从“脑热”和脑部创伤中通过脑部手术恢复的社会过程。当她们几乎瞬间转变为“现代女性”时,她们往往被剥夺了她们的抵抗力。利比的小说强调新女性在世纪之交的不平衡发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Laura Jean Libbey and Sexual Transformation
In chapter 7, Dale Bauer charts the innovations in transitional modernism that turn-of-the-century popular novelist Laura Jean Libbey created in her novels devoted to women’s romance and independence. While little-known today, Libbey’s serialized novels were highly popular and often translated into film. Libbey’s fictions bridged the divide between late nineteenth-century feminism and modern fictions of the New Woman. These novels often end with immediate brain surgeries and near-instant recoveries, with marriages into higher social classes, with rivals for suitors defeated by these women’s pain and bitterness and their transcendence. Many of Libbey’s novels chart women’s social recovery from “brain fever” and brain traumatic injury through brain surgery. As they are almost-instantly transformed to “modern women,” they are often robbed of their resistance. Libbey’s fictions emphasize the uneven development of the New Woman across the century’s turn.
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