Takuya Takahashi, T. Hori, Christoph M. Wilk, S. Sagayama
{"title":"色度域半监督NMF在音乐和声估计中的应用","authors":"Takuya Takahashi, T. Hori, Christoph M. Wilk, S. Sagayama","doi":"10.23919/APSIPA.2018.8659645","DOIUrl":null,"url":null,"abstract":"In this paper, we discuss non-negative matrix factorization (NMF) applied to chroma feature sequences to reduce the chroma-specific noise in chord estimation from music signals using the hidden Markov model (HMM). Even in the case of single pitch sounds, the raw 12-dimensional chroma vectors obtained from the music signal by summing and normalizing the spectrum by octaves often contain irrelevant components such as non-octave overtones falling into different pitch classes and cause inaccuracies in estimation of harmonies. NMF applied to the chroma domain is expected to suppress such chroma components in the NMF activation matrix caused by overtones, and thus “purifies” the noisy chroma vectors. By reducing the dimensionality to 12 dimensions as opposed to NMF applied to the raw spectrum, we expect advantages with respect to statistical robustness as well as computational cost for pitch class estimation of single and multiple tones. We use the “purified” chroma vectors in combination with a harmony progression model based on an HMM where the NMF activation distributions are modeled as observations associated with hidden harmonies, whose transition probabilities have been obtained statistically. We attempt to improve harmony estimation accuracy by combining suppression of irrelevant components and the HMM-based harmony model. In the experimental evaluation, we demonstrate the reduction of irrelevant components in raw chroma vectors computed from recordings of musical instruments. In addition, using music audio data with harmony annotation from the RWC database, we compare the harmony estimation accuracies using our method and conventional chroma.","PeriodicalId":287799,"journal":{"name":"2018 Asia-Pacific Signal and Information Processing Association Annual Summit and Conference (APSIPA ASC)","volume":"35 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Semi-Supervised NMF in the chroma Domain Applied to Music Harmony Estimation\",\"authors\":\"Takuya Takahashi, T. Hori, Christoph M. Wilk, S. Sagayama\",\"doi\":\"10.23919/APSIPA.2018.8659645\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper, we discuss non-negative matrix factorization (NMF) applied to chroma feature sequences to reduce the chroma-specific noise in chord estimation from music signals using the hidden Markov model (HMM). Even in the case of single pitch sounds, the raw 12-dimensional chroma vectors obtained from the music signal by summing and normalizing the spectrum by octaves often contain irrelevant components such as non-octave overtones falling into different pitch classes and cause inaccuracies in estimation of harmonies. NMF applied to the chroma domain is expected to suppress such chroma components in the NMF activation matrix caused by overtones, and thus “purifies” the noisy chroma vectors. By reducing the dimensionality to 12 dimensions as opposed to NMF applied to the raw spectrum, we expect advantages with respect to statistical robustness as well as computational cost for pitch class estimation of single and multiple tones. We use the “purified” chroma vectors in combination with a harmony progression model based on an HMM where the NMF activation distributions are modeled as observations associated with hidden harmonies, whose transition probabilities have been obtained statistically. We attempt to improve harmony estimation accuracy by combining suppression of irrelevant components and the HMM-based harmony model. In the experimental evaluation, we demonstrate the reduction of irrelevant components in raw chroma vectors computed from recordings of musical instruments. In addition, using music audio data with harmony annotation from the RWC database, we compare the harmony estimation accuracies using our method and conventional chroma.\",\"PeriodicalId\":287799,\"journal\":{\"name\":\"2018 Asia-Pacific Signal and Information Processing Association Annual Summit and Conference (APSIPA ASC)\",\"volume\":\"35 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2018 Asia-Pacific Signal and Information Processing Association Annual Summit and Conference (APSIPA ASC)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.23919/APSIPA.2018.8659645\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2018 Asia-Pacific Signal and Information Processing Association Annual Summit and Conference (APSIPA ASC)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.23919/APSIPA.2018.8659645","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Semi-Supervised NMF in the chroma Domain Applied to Music Harmony Estimation
In this paper, we discuss non-negative matrix factorization (NMF) applied to chroma feature sequences to reduce the chroma-specific noise in chord estimation from music signals using the hidden Markov model (HMM). Even in the case of single pitch sounds, the raw 12-dimensional chroma vectors obtained from the music signal by summing and normalizing the spectrum by octaves often contain irrelevant components such as non-octave overtones falling into different pitch classes and cause inaccuracies in estimation of harmonies. NMF applied to the chroma domain is expected to suppress such chroma components in the NMF activation matrix caused by overtones, and thus “purifies” the noisy chroma vectors. By reducing the dimensionality to 12 dimensions as opposed to NMF applied to the raw spectrum, we expect advantages with respect to statistical robustness as well as computational cost for pitch class estimation of single and multiple tones. We use the “purified” chroma vectors in combination with a harmony progression model based on an HMM where the NMF activation distributions are modeled as observations associated with hidden harmonies, whose transition probabilities have been obtained statistically. We attempt to improve harmony estimation accuracy by combining suppression of irrelevant components and the HMM-based harmony model. In the experimental evaluation, we demonstrate the reduction of irrelevant components in raw chroma vectors computed from recordings of musical instruments. In addition, using music audio data with harmony annotation from the RWC database, we compare the harmony estimation accuracies using our method and conventional chroma.