透过分割复合体阅读肌理功能、工具技术与空间

Pauxy Gentil-Nunes
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引用次数: 0

摘要

分区复合体是一组离散的纹理配置(在分区分析中简称为分区),它们成功地相互作用以构建全局纹理结构。这种纹理模式被称为一个片段的纹理建议,其中引用分区(那些代表摘录中纹理配置的主要特征的分区)非常突出。这种概念环境是通过观察和音乐曲目分析在音乐织体形式化中发展起来的,现在被应用于音乐实践。在目前的工作中,我们强调了其中的三种情况。第一部分涉及创作流程(构图过程)及其与纹理规划的关系。第二个观察这些相同的纹理功能如何调节身体与乐器的物理耦合(手指,手,踏板,乐器)。最后,作为介绍,我们设想了一些空间关系,包括舞台上的乐器分布,强调历史音乐会音乐。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Reading Textural Functions, Instrumental Techniques, and Space Through Partition Complexes
Partitional complexes are sets of discrete textural configurations (called shortly of partitions in Partition Analysis) that successfully interact to construct a global textural structure. This textural mode is called the Textural Proposal of a piece, where referential partitions (those that represent the main features of textural configurations in the excerpt) stand out. This conceptual environment, developed in musical texture formalization through observation and musical repertoire analysis, is now applied to musical practice. In the present work, we highlight three of these situations. The first one deals with the creative flow (compositional process) and its relation with textural planning. The second observes how these same textural functions condition the body's physical coupling to the instrument (fingers, hands, pedals, instrumentation). Finally, just as an introduction, we envisage some spatial relations, involving instrument distribution on stage, emphasizing historical concert music.
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