复杂与让步:《黑豹》中的生态女权主义

Terry Westby-Nunn
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摘要

生态女性主义是一种跨学科的运动,它剖析了不健康的权力关系。通过生态女权主义的视角来评估科幻电影《黑豹》(Black Panther, Coogler 2018),可以进行富有成果和复杂的探索。生态女性主义关注有毒霸权的影响,本文评估了《黑豹》中的权力表现。由于振金流星给瓦坎达带来了优势,振金作为特权的投机符号,而特权定位的力量所带来的责任也受到了质疑。对《黑豹》中文化和自然表现形式的分析潜在地表明,瓦坎达并不像我们当代全球新自由主义文化那样与自然隔绝——尽管,可以说,许多意象都是理想化的,从我们的观点中排除的东西和包含的东西一样重要。一位不请自来的生态女性主义者的观察表明,瓦坎达的孤立与当代全球化的新自由主义背道而驰,并假设自力更生和自我维持可以成为一种强大的替代力量。在我们的新自由主义体系中,放松管制的全球贸易正在推动人类世,瓦坎达的自给自足可能是一个教训。最后,对心形草药的讨论揭示了它是生态女权主义者通过团结人类,自然,技术和意识而连接的投机象征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Complications and concessions: ecofeminism in Black Panther
Ecofeminism is an interdisciplinary movement which dissects unhealthy power relations. Assessing the science fiction film Black Panther (Coogler 2018) through an ecofeminist lens offers up fruitful and complicated explorations. Ecofeminism focusses on the impacts of toxic hegemonies, and the paper evaluates representations of power in Black Panther. As the vibranium meteor gives Wakanda an advantage, vibranium functions as a speculative symbol for privilege, and the responsibilities that come with the power of privileged positioning are interrogated. An analysis of the representations of culture and nature in Black Panther potentially indicates that Wakanda is not as severed from nature as our contemporary global neoliberal culture - although, arguably, much of the imagery is idealised, and what is excluded from our view is as important as what is included. An uninvited ecofeminist observation suggests that Wakanda's isolation goes against the grain of contemporary globalised neoliberalism and posits that self-reliance and self-subsistence can be a powerful alternative force. In our neoliberal system, where deregulated global trade is driving the Anthropocene, there is potentially a lesson in Wakanda's self-sufficiency. Finally, a discussion of the heart-shaped herb reveals it to be a speculative symbol of ecofeminist connectivity through uniting humanity, nature, technology, and consciousness.
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