{"title":"博物馆内的非殖民化","authors":"Lynn Maranda","doi":"10.4000/iss.3863","DOIUrl":null,"url":null,"abstract":"There are two realities which pose the greatest impediments to museum decolonization. These are: the very existence of the museum itself being a Western construct, and, the nature of the collections within. Since the last decades of the 20th century, museums with assemblages of anthropological materials have become highly contested spaces. There is a growing movement emanating from the descendants of the peoples from whom these materials originated for the decolonization of such museums. To this end, these museums are having to develop a way to address the dilemma in which they find themselves in order to map a route forward and effect a realignment with those for whom this means so much.","PeriodicalId":298869,"journal":{"name":"ICOFOM Study Series","volume":"70 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Decolonization within the Museum\",\"authors\":\"Lynn Maranda\",\"doi\":\"10.4000/iss.3863\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"There are two realities which pose the greatest impediments to museum decolonization. These are: the very existence of the museum itself being a Western construct, and, the nature of the collections within. Since the last decades of the 20th century, museums with assemblages of anthropological materials have become highly contested spaces. There is a growing movement emanating from the descendants of the peoples from whom these materials originated for the decolonization of such museums. To this end, these museums are having to develop a way to address the dilemma in which they find themselves in order to map a route forward and effect a realignment with those for whom this means so much.\",\"PeriodicalId\":298869,\"journal\":{\"name\":\"ICOFOM Study Series\",\"volume\":\"70 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ICOFOM Study Series\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/iss.3863\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ICOFOM Study Series","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/iss.3863","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
There are two realities which pose the greatest impediments to museum decolonization. These are: the very existence of the museum itself being a Western construct, and, the nature of the collections within. Since the last decades of the 20th century, museums with assemblages of anthropological materials have become highly contested spaces. There is a growing movement emanating from the descendants of the peoples from whom these materials originated for the decolonization of such museums. To this end, these museums are having to develop a way to address the dilemma in which they find themselves in order to map a route forward and effect a realignment with those for whom this means so much.